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Archive for September, 2011

 

You guys are pretty intelligent. I want your opinion on something that has been bothering me for a few months now.

 

Do you prefer to ‘request’ the friendship of a facebooker or are you happy to just ‘like’ them?

 

I have two Facebook pages. The first is my personal page. I’ve had it for years and even though I don’t visit very often, have ignored my farm, and neglected my animals to the point they have up sticks and moved to Cafe World, it is the place I know I can catch up with old school mates, family members, and close friends whenever I like.

 

Then I have another page which is my ‘Donna Newton Author Page’. I do frequent this page a lot. I post blog updates, talk about what I’m up to, and discuss topics with other writers.

 

My dilemma is this. My personal page gets quite a few friend requests from people I don’t know and as this page is, well, personal, I decline them. My status updates on this page are private after all, as are my friends.

My Author page on the other hand is free for everyone to like. You don’t even have to ‘like’ me. You can view the page, scan uploaded photos, and read the statuses. You can comment, join in and then, if you really feel the urge to – you can ‘like’ me. It’s simple. I meet new people, have a laugh and in some cases, even added some ‘like’ peeps to my personal page.

 

So, what is my dilemma?

 

Should my Author Page be a ‘like’ page or a ‘request’ page? I know that I prefer to ‘request’ friendship rather than just ‘like’ someone.

 

So what are your preferences? What do you prefer to do? ‘Like’ or ‘Request’?  You’re comments will decide what I will be doing this weekend so please don’t be shy in airing your opinions :D

Psst – I am going to run this poll on my FB page, too.

 

You can also find me onFacebookTwitter, Google+ and Linkedin

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This weeks competitions that have caught my eye:


The Dedicated to Write Competition Sept 
Category:   Fiction
Closes:   10th October 2011
Fees:   £0 for one entry.
Prizes:   £0 for first place. 10 Page Line Edit of your novel and £25 worth Amazon vouchers for 2nd and 3rd place.
Details:   On the website, in the Comments: State you Name… or your Writing Name Provide your Twitter ID Provide the address of your blog/website. Will only accept entries from those working on a Novel/MS/etc. Give a two sentence Elevator Pitch of your current Novel/MS State the first sentence of your Novel/MS.
Country:   United Kingdom
Website:   http://www.imranwrites.com/2011/09/26/the-dedicated-to-write-competition-sept-2011/

The 7th Annual Accenti Writing Contest
Category:   Fiction
Closes:   7th February 2012
Fees:   $20 for one entry. Canadian Dollars.
Prizes:   $1,000 for first place. Canadian dollars
Details:   Open to all writers, established and emerging, worldwide. Open to fiction and nonfiction on any topic, in English. Maximum length 2,000 words. Entries must be previously unpublished and not under consideration by any other publication. Entries must be original and not a translation of a previously published work. For more information, please, visit our website.
Country:   Canada
Email:   accenti@accenti.ca
Website:   http://www.accenti.ca/writing-contest

Narrative Magazine Fall Story Contest
Category:   Fiction
Closes:   30th November 2011
Fees:   $20 for one entry.
Prizes:   $3,250 for first place. $1,500; $750; $100 x 10.
Details:   For fiction and nonfiction up to 15,000 words.
Country:   United States
Website:   http://www.narrativemagazine.com/node/149075

TRYangle Project Short Story Competition
Category:   Fiction
Closes:   10th October 2011
Fees:   £5 for one entry. £8 for two; £11 for three.
Prizes:   £150 for first place. £75; £40; £10 x 2.
Details:   For unpublished short stories up to 1,500 words on the theme: Domestic Violence and Abuse.
Contact:   Excel for Charity, Eastern Light EPM International, Unit 136, 113 – 115 George Lane, London, E18 1AB
Country:   United Kingdom
Email:   lyla@tryangle.org.uk
Website:   http://easternlightepm.com/excelforcharity/tryangle-short-story-competition-2011/

First Crime Novel Competition
Category:   Fiction
Closes:   30th November 2011
Fees:   $0 for one entry.
Prizes:   $10,000 for first place. Book publication and $10,000 advance.
Details:   For crime novels by unpublished authors.
Country:   United States
Email:   MB-MWAFirstCrimeNovelCompetition@StMartins.com
Website:   http://us.macmillan.com/Content.aspx?publisher=minotaurbooks&id=4933

Dream Quest One Writing Contest
Category:   Fiction
Closes:   31st December 2011
Fees:   $10 for one entry. Add $2 transaction fee for electronic entries
Prizes:   $500 for first place. All contest winners will be published online in the Dare to Dream pages!
Details:   Writing contest open to anyone who has a story that’s worth telling everyone! Write a short story, 5 pages maximum, on any subject or theme, neatly hand printed or typed, single or double line spacing for a chance to win cash prizes! First Prize: $500, 2nd: $250, 3rd: $100. Entry fee is $10(USD) per short story submitted. Postmark deadline: December 31, 2011. Visit the website below for details and enter!
Contact:   Dream Quest One, Poetry & Writing Contest, P.O. Box 3141, Chicago, IL 60654
Country:   United States
Email:   alwest56@hotmail.com
Website:   http://www.dreamquestone.com

Yellow Room Autumn Short Story Comp
Category:   Fiction
Closes:   30th September 2011
Fees:   £4 for one entry. £10 for three.
Prizes:   £80 for first place. £45; £20.
Details:   For short stories up to 2,500 words, in any style or genre, on any theme.
Contact:   The Yellow Room Competition, 1 Blake Close, Bilton, Rugby CV22 7LJ
Country:   United Kingdom
Website:   http://www.theyellowroom-magazine.co.uk/www.theyellowroom-magazine.co.uk/Competitions.html

John Steinbeck Award
Category:   Fiction
Closes:   1st November 2011
Fees:   $15 for one entry.
Prizes:   $1,000 for first place. Also magazine publication.
Details:   For short stories up to 6,000 words.
Contact:   Reed Magazine,
SJSU English Department,
One Washington Square,
San Jose, CA 95192-0090
Country:   United States
Email:   reed@email.sjsu.edu
Website:   http://www.reedmag.org/drupal/?q=node/19

The Television Show Writing Contest
Category: Fiction
Closes: 31st October 2011
Fees: $0 for one entry. Free for all members.
Prizes: $100 for first place. 1st place wins $100 cash via Paypal; 2nd wins $50 cash via Paypal; 3rd wins $25 cash via Paypal.
Details: Television is a fantastic storytelling medium, and there’s much to be learned from how TV weaves stories. To enter this contest, submit a piece of flash fiction (under 1000 words) inspired by themes, character types, plot devices, or any other storytelling devices from your favorite TV show. Don’t include specific characters or plots–this isn’t fan fiction! Entry is free, and your work will be judged by an acclaimed author.
Country: United States
Website: http://www.scribophile.com/contests/television-show-contest/
RWA Competitions

26th Annual Hook, Line & Sinker
Sponsor: Hudson Valley RWA
Fee: $10.00
Deadline: November 1, 2011
Eligibility: Published and unpublished authors.
Entry: Hone your skills for hooking an editor or an agent. Submit the first three pages of your manuscript. Electronic or paper entries accepted.
Judges: Experienced published and unpublished authors.
Final Judge: Brenda Chin, Harlequin Editor.
Top Prize: $50.00.
FMI, entry form, rules, and a sample of the scoresheet, please email hudsonvalleycontest@gmail.com or visit www.hudsonvalleyrwa.com.
 
Good luck and let me know how you get on.

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This weeks competitions that have caught my eye:


Writers’ Union of Canada Short Prose 
Category: Fiction
Closes: 3rd November 2011
Fees: $29 for one entry.
Prizes: $2,500 for first place.
Details: For fiction and nonfiction up to 2,500 words.
Contact: SPC Competition, The Writers’ Union of Canada, 90 Richmond St. E, Suite 200, Toronto, ON, M5C 1P1
Website: http://www.writersunion.ca/cn_shortprose.asp

Grace Dieu Writers’ Circle
Category: Fiction
Closes: 28th February 2012
Fees: £5 for one entry. £5 for first entry then £3 for additional.
Prizes: £500 for first place. 2nd Prize: £200; 3rd Prize: £100; 4th Prize: £75; 5th Prize: £50.
Details: Short Story Competition: A story on any subject – maximum 2,000. Full details and entry forms can be found on our website. Alternatively to receive a competition leaflet, please send a SAE.
Contact: The Competition Organiser, 23 Henson Way, Sharnford, Leicestershire, LE10 3PN
Country: United Kingdom
Email: tonygutteridge@live.com
Website: http://www.gracedieuwriterscircle

Alleviate Awards America Region Fiction
Category: Fiction
Closes: 17th October 2011
Fees: $0 for one entry. Entry fee waived for those who qualify.
Prizes: $250 for first place.
Details: There is a grand prize winner in each category (Short Story, Poetry, Visual Arts, and Photography) but almost all submissions will be included in the worldwide anthology. For the Short Story category (Fiction), the maximum word limit is 2,500 words. All topics are welcome. You may submit new or old material as long as you own the international copyright.
Country: United States
Email: usa@alleviatebooks.com
Website: http://www.alleviatebooks.com

Writer’s Toybox

Category: Fiction
Closes: 31st December 2011
Fees: £0 for one entry. Free to enter.
Prizes: £0 for first place. Publishing contract for novel.
Details: Paranormal / Supernatural Romance and erotica competition. We are looking for stories between 2,000 and 5,000 words. Winners will be published in an anthology and available worldwide via Amazon and bookshops in paperback and ebooks. The overall winner will be offered a publishing contract for a novel.
Contact: Netherowld Books, Mirador, Wearne Lane, Langport
Country: United Kingdom
Email: claire@netherworldbooks.com
Website: http://www.writerstoybox.com/index.htm

Autumn Leaves
Category: Fiction
Closes: 31st October 2011
Fees: £0 for one entry.
Prizes: £10 for first place. (3 winners) Winners to be published on site
Details: Autumn Leaves: The trees are shedding their leaves, russet-coloured and beautiful… err, no, they get under your feet, make you slip and clog up the drains. This is for either fiction or non fiction pieces on the subject of autumn, endings, afterglow – anything that suggests the inevitable passing of time. Again, doesn’t need to be dark, can be funny, poignant, sad 1,000 words maximum.
Contact: Flat 10, Montpelier Lodge, Montpelier Terrace, Brighton, East Sussex, BN1 3DF
Country: United Kingdom
Email: comps@brightoncow.co.uk
Website: http://www.brightoncow.co.uk

THe CNW Big One
Category: Fiction
Closes: 30th November 2011
Fees: £5 for one entry.
Prizes: £0 for first place. Winner will get 50% of entry fee runner up will get 25%.
Details: All entries must be between 1000 and 5000 words and based on the theme autumn feelings. Fiction or non fiction accepted international entries welcome.
Contact: c/o 6 Fox Close, Chipping Norton, Oxon, OX7 5BY
Country: United Kingdom
Email: cnwriters@btinternet.com
Website: http://cnwriters.webs.com/currentcompetitions.htm

Catherine Doctorow Innovative Fiction
Category: Fiction
Closes: 1st November 2011
Fees: $25 for one entry.
Prizes: $15,000 for first place. Also publication.
Details: For innovative unpublished fiction manuscripts by US writers with at least three books of fiction published.
Country: United States
Website: http://www.fc2.org/doctorowguidelines.aspx

RWA

Bump in the Night IV Flash Fiction
Sponsor: W. PA Romance Writers
Fee: Free
Deadline: Noon, October 28, 2011
Eligibility: Anyone
Entry: 1000 words or less.
Category: Paranormal
Judges: W.PA Published Authors
Prize: $10 B&N Gift Card & 1 year Membership in W. PA Romance Writers
FMI, http://wprw.wordpress.com.

14th Annual Gotcha! ContestSponsor: Silicon Valley RWA
Fee: $25.00
Opens October 1, 2011
Deadline: October 30, 2011
Eligibility: Not published in the category entered.
Entry: First 15 pages.   
Categories: Series Contemporary, Sigle Title Contemporary, Historical, Paranormal, Inspirational, Mystery/Romantic Suspense.
Judges: 1 Published, 3 Experienced.
Final Judges: Editor
Top Prize: Top four entries will recieve a certificate and have their work reviewed by the editor of their category.
FMI, www.SVRWA.com.

Good luck and let me know how you get on.

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This weeks competitions that have caught my eye:

Mills and Boon New Voices 2011 
Category: Fiction
Closes: 10th October 2011
Fees: £0 for one entry.
Prizes: £0 for first place. Book publication; iPad; hamper.
Details: For romance novels. Submit online.
Website: http://www.romanceisnotdead.com

Dorothy and Wedel Nilsen Literary Prize
 
Category: Fiction
Closes: 1st November 2011
Fees: $25 for one entry.
Prizes: $1,000 for first place. Also publication.
Details: For previously unpublished novels, novellas, and collections of closely linked short stories, by unpublished novelists who are US residents writing in English.
Contact: Southeast Missouri State University Press, One University Plaza, MS 2650, Cape Girardeau, MO 63701
Website: http://www6.semo.edu/universitypress/nilsennovel.htm

Five Stop Story
Category: Fiction
Closes: 30th September 2011
Fees: £0 for one entry.
Prizes: £0 for first place. Publication on iphone and ipad app; Book of short stories.
Details: Winners and runners up published on our IPHONE and IPAD app as well as our website, winner also receives a book of short stories, 1,500-2,500 words,
Theme: Autumn/Fall.
Website: http://www.fivestopstory.com/write

First Novel/Novella
Category: Fiction
Closes: 30th November 2011
Fees: £16 for one entry.
Prizes: £400 for first place. Also publication.
Details: Submit the first ten thousand words of your novel/novella or 10 poems up to 40 lines or story of 2,000-4,000 words.
Contact: Jan Fortune-Wood Meirion House Glan yr afon Tanygrisiau Blaenau Ffestiniog Gwynedd LL41 3SU
Email: jan@cinnamonpress.com
Website: http://www.cinnamonpress.com

Wurdzl.com Writing Competition
Category: Fiction
Closes: 4th December 2011
Fees: £0 for one entry. free
Prizes: £0 for first place. Amazon Kindle
Details: Write up to 300 words on anything at all. The highest rated 1 week after the final submission wins an Amazon Kindle.
Website: http://wurdzl.com/competition2011

Running Late Writing Competition

Category: Fiction
Closes: 1st December 2011
Fees: £3.50 for one entry. Free to Premier1 Members.
Prizes: £200 for first place. 2nd Prize: £150 3rd Prize: £100 4th Prize: £75 5th Prize: The Busy Writer Course 6th Prize: Subscrip
Details: All you have to do to win any of our fantastic writing competition prizes is to write a story relating to our theme: Running Late. How you interpret the theme is entirely up to you but we are looking for well-written, creative entries where the story is bought to life by your story-telling skills.
Contact: Creative1 Publishing 15 Canigounenc Ceret 66400, France
Email: info@creative-competitor.co.uk
Website: http://creativecompetitor.com/competitions/new-competitions/running-late-writing-competition/

Aber Valley Arts Fiction Competition

Category: Fiction
Closes: 24th September 2011
Fees: £1.50 for one entry. Three for £3.
Prizes: £80 for first place. £45; £30.
Details: For short stories up to 3,500 words on the theme: Action.
Contact: Undercurrents, 15 Graig y Fedw, Abertridwr, Caerffili, CF83 4AQ. United Kingdom
Email:abervalleyarts@aol.com
Website: http://www.abervalleyarts.co.uk/competition

Danahy Fiction Prize

Category: Fiction
Closes: 1st November 2011
Fees: $15 for one entry.
Prizes: $1,000 for first place. Also magazine publication.
Details: For short stories roughly 500-5,000 words.
Contact: Tampa Review, Danahy Fiction Prize, The University of Tampa, 401 West Kennedy Blvd., Tampa, FL 33606-1490. United States
Website: http://www.ut.edu/TampaReview/TRDetail.aspx?id=12481

Flash Fiction-300 Word Challenge

Category: Fiction
Closes: 25th November 2011
Fees: £2 for one entry.
Prizes: £100 for first place. 2nd Prize: 50.
Details: Write a story around the woman in the photo (on website). You can be as creative as you like with your interpretation of the image but you only have 300 words (excluding the title) to impress us. So do make every word count. Your entry must be original and previously unpublished. We welcome submissions from writers worldwide.
Contact: Creative1 Publishing, 15 Rue Canigounenc 66400. France
Email: info@creative-competitor.co.uk
Website: http://creativecompetitor.com/competitions/new-competitions/flash-fiction-300-word-challenge/

RWA

2011 Suzannah Contest
Sponsor: NOLA STARS
Deadline: October 1, 2011
Entry: limited to 7,200 words (approximately 25 pages) and must include a one-page synopsis. All entries submitted electronically.
Final Judges: panel consists of six editors and agents.
FMI, visit nolastars.com.

First Kiss Contest
Sponsor: New England Chapter (NECRWA)
Fee: $25.00 for each entry, $20.00 for NEC members, Outside U.S. $28.00
Deadline: October 1, 2011
Eligibility: Entrants must be unpublished in book-length fiction.
Entry: Send us the scene from your book where your couple first kisses. The scene should convey the emotion and romantic conflict between the characters, sparkle with creative dialogue, description, and characterization, and move the story forward. As one of our authors said, “Good kiss scenes are essentially emotional discoveries. The first kiss brings a new closeness…but also a new set of complications.” Entry should be 10 pages maximum plus 1 set-up page. Use standard manuscript format, double-spaced, 1-inch margins top and bottom.
Categories: All
Judges: Both unpublished and published judges will review each entry.
Final Judge: Patience Smith, Senior Editor, Silhouette Romantic Suspense at Harlequin.
Top Prize: $50.00 or FREE registration to the New England Chapter’s “Let Your Imagination Take Flight” Conference (2011 value: $209.00), to be held in April 2012. (Not including hotel, transportation, or conference extras.)
FMI, visit our website http://necrwa.org/kisscontest.html or email the contest coordinator at firstkiss@necrwa.org.
  

Good luck and let me know how you get on.

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Recently, I was researching something for a character of mine and I came across a really interesting article by Steven Aitchison. So, I quickly emailed and asked if he would be a guest blogger. And guess what, he was more than happy to.

Over to you, Steven:

Your eyes can tell a lot about you and tell others even more simply by the way you use them.  Eye communication is a great skill to have and eye contact is a great tool to master.  We all use it and we all give away vital clues as to what we are thinking with our eyes.

References are made to our eyes in everyday conversation such as ’she has bedroom eyes’, ‘don’t give me those puppy dog eyes’, ‘giving me the evil eye’ and many more such phrases.

If you can learn the skill of reading eye signals and mastering the art of using eye contact it can make a huge difference in your personal and business life.

The Pupils

Your pupils and the size of them will give away a lot of secrets, and it’s something we can’t do much about. The pupils will either constrict or dilate depending on our state of mind. If we are aroused by something, or someone, our pupils will dilate and if we are turned off by something or someone our pupils will constrict.

Skilled street traders across the world look for the size of the pupils when bartering with their customers. If a customer sees an object and their pupils are fully dilated, then the trader knows they can keep the price of the item at the higher end.

When we are excited by someone we like, our pupils will dilate, and when we are in the company of someone we don’t like, our pupils will constrict.

Take a look at these two photos. Which one do you prefer?

eye-contact


The first photo shows the pupils constricted and the second photo shows the pupils dilated. The one with the pupils dilated would normally be the one that people picked, as it is more seductive and deemed more attractive when the pupils are dilated.

Next time you are talking to someone pay attention to the size of their pupils, don’t go right up to their face and make a nuisance of yourself, but just casually watch the size of their pupils. This will tell you what excites them when they are talking, it might also tell you if they like you or not as we can rarely hide our emotions with our eyes.

Different Types of Eyes

Wandering Eyes

Have you ever noticed when you are talking to someone that their eyes are looking everywhere and not at you. This in itself is an obvious sign of distraction or boredom however, it also means that the person is looking for a way to get out of your space. Looking out a window when someone is talking to you could mean they would rather be outside.

If you do this, be careful of the signals you are giving to the other person, unless you specifically want them to know you don’t want to be with them.

angry eyesWhen we are angry our eyes become narrower, brows are furrowed and our pupils constrict. It’s quite easy to tell if someone is angry when they have all of the above. what if they don’t show the above body language signals? Well, we have to look for other body language clues such as constriction of the lips, flared nostrils, staring, clenching of the jaw etc.

When you are speaking to someone who is displaying signs of anger you can either back down or stand up for yourself, depending on what the situation warrants.

If you stand up for yourself you should be holding eye gaze and not break it. This shows the other person that you are not intimidated by them. If you are the one to break eye contact in a heated argument you have all but lost the argument.

The Seductive Eyes

It’s quite easy to tell if someone likes us by the size of their pupils. In a well lit room, if you are speaking to someone face to face you can see the size of the other persons pupils. If the eyes start to dilate they are interested in what you have to say or they find you attractive.

seductive eyesHowever, this is not so true in a darkened room like a nightclub as the size of our pupils will dilate to let more light in, in order to see better in the darkened room. So be careful to read the signals correctly before making a fool of yourself.

There are other ways to seduce someone with your eyes. The classic Lady Diana look with her head down and eyes looking up was one of the reasons so many people warmed to her. This type of look makes the observer feel more maternal or paternal and also brings out the protector in men which made Lady Di more attractive.

Your Gaze

When we are talking to our friends and in social situations, and are looking and talking with another person for some time we unconsciously gaze at the persons face in a controlled manner. However, if we have lost confidence or we are not yet socially adept we can lose this ability.  Here is a quick guide on where to focus your gaze when talking to someone.

Social Gazing

When you are speaking in a social setting you don’t want to stare into someone’s eyes as this is a bit strange for someone to do, and a bit off-putting for the talker. To get over this, use a triangle approach. First look at one eye of the talker, then look at their mouth, briefly, and then move onto their other eye. This shows you are still interested in what they have to say as you have not looked away from their face.

The Flirty Gaze

When we flirt with each other the eyes still move in a triangular way but with more range, downwards. I know the women reading this will have experienced men who think you are talking from your breasts, which is quite disconcerting, and I’ll explain a possible reason for this, apart from the obvious. However, we all do it, men and women, only women are better at it.

It has been shown that when we are walking toward each other from a distance, men and women, automatically check each other from head to foot. First time to check the sex of the person and second time to check the sexiness of the person.

Men are more likely to get caught checking out a females body, rather than looking them in the eye, because they have less peripheral vision than women. Women can look you in the face but still look at your body  because their peripheral vision is much better.

Our eyes contain two types of photo-receptors; rods and cones. Rods are responsible for scotopic vision, dark adapted vision. They also predominate the peripheral vision and women have more rods in their eyes than men do; hence why they have better peripheral vision and are better at seeing in the dark.

The Controlling Gaze

If you are looking to intimidate someone when you are talking to them, or are trying to control the conversation look at the area known as ‘the third eye’ which is the spot just between the eyebrows.

Many men do this to try and intimidate the people they are talking to and to try and control a conversation.

Can you tell if someone is lying with their eye movements?

Short answer to that is no. However, by looking at other body language signals and looking at their eyes you can get a good idea if someone is lying or not.

With the work of Bandler and Grinder and their excellent work on NLP we have an idea of how our eye movements relate to how we access information from the brain, which can help to tell is someone is lying or not.

Visual Accessing cues

(VC) Visual Construction: Looking up and to the left. The person is accessing information from their imagination andmight possibly be making it up. For example, if you asked someone what their dream home would look like they would, more than likely, look up and to their left.

If someone is lying about something and making stories up they might be using this eye movement.

(VR) Visual Remembering: Looking up and to the right.  This is when we are actually accessing a memory and picturing it in our heads.  It is more than likely that this is a memory that actually happened.  Ask your friend what they had for dinner yesterday and they will most likely look up and to the right.

(AC) Auditory Construction: Looking middle and to the left. This is where our eyes might go if we were constructing a sound in our mind.  For example if you asked a friend to think of what their voice will sound like when they are 80 years old, they would more than likely look in this direction.

(AR) Auditory Remembering:
Looking middle and to the right.  This is where our eyes might go if you were remembering a sound that you have heard before.  For example ask your friend what the sound of their partner sounds like and they will more than likely look in this direction.

(K) Kinesthetic: Looking down and to the left.  This is the direction your eyes might go if you were accessing your actual feelings about something.  For example, if you ask a friend about their feelings on the issues of capital punishment their eyes might go in this direction.

(AD) Auditory Digital: Looking down and to the right.  This is the direction our eyes might go when we are talking to ourselves.  We do this all the time and it is called self talk.  Believe it or not we talk to ourselves a lot and we can learn a lot about ourselves by paying attention to our self talk, but that is for another article.

The information above represents the majority of people, but it may  be different for some.  However, it is still possible to work out a persons representational system by observing them when you ask them questions.

Using the information above should get you started on the road to being able to read people using their eyes as signals. Remember, as with all body language signals, that they should be read together and not separately.

About Steven Aitchison

I am the creator of Change Your Thoughts (CYT) blog and love writing and speaking about personal development, it truly is my passion. There are over 500 articles on this site from myself and some great guest posters.

If you want to learn more about my products you can check out CYTGuides.com or check out my books and Kindle books on Amazon

 * * * * *

So, writers. Do you use these signs when writing your characters? Did you even know what most of them meant? Do you look for these signs when speaking to others?

You can also find me on Facebook, Twitter, Google+ and Linkedin

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No, these aren't my legs but they could be, with a little airbrushing.

Every once in a while I have a mad inclination to embarrass myself and then, even worse, to share that embarrassment with the world.

Have you checked out my early attempt at fan mail?

Well, once again I feel I have out-done myself….only this time with a little help from my sister.

Let me tell you the story of how this all began.

Once upon a time, many, many years ago, there was a girl called Donna. One day, Donna was with her sister and boyfriend when they found a pair of tights. With nothing better to while away the time, they decided to play a game of dare. This little game stuck in their minds for the following twenty years, often making them grin whenever one of them brought it up. Donna’s boyfriend later became her husband, and each sister grew up and had their own family.  Then, one day the two sisters found a pair of tights. Remembering the fun time they’d had all those years earlier, they decided to once again play a game…..

I'm the good-looking one on the left.

So, please tell me you’ve done something similar? In fact, I would like everyone to email me a picture of themselves with a stocking on their head. I will add them to a blog and we’ll vote on the best one. Come on, don’t be shy. I can keep them anonymous if you wish. :)

Email me at pointwelldonna@googlemail.com


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This week’s competitions that have caught my eye:


New-Media Writing Prize 2011 

 

Category: Fiction
Closes: 31st October 2011
Fees: £0 for one entry.
Prizes: £0 for first place. Prize of software/hardware/meeting digital publishers at awards evening
Details: Entries must be digital multi-media writing for iPad, internet, mobile phones etc. Must not be printable – must be for digital media. International competition. Second year. Special student prize as well as main prize. Awards ceremony at BU in November.
http://www.newmediawritingprize.co.uk/

 


The Short Story Fiction Competition

 

Category: Fiction
Closes: 15th September 2011
Fees: £0 for one entry.
Prizes: £300 for first place. £150; £50.
Details: For short stories up to 5,000 words, submitted by email only. No poetry, novel chapters, sci-fi, fantasy or stories for children.
Email: submit.theshortstory@gmail.com
http://www.theshortstory.net

 

Writer’s Digest Horror Competition

 

Category: Fiction
Closes: 31st October 2011
Fees: $20 for one entry.
Prizes: $1,000 for first place. $500.
Details: For horror stories up to 4,000 words.
Contact: WD Horror Competition, 4700 East Galbraith Road, Cincinnati, OH 45236
http://www.writersdigest.com/competitions/wd-horror-competition

 

 

Fantasy Book Review Fantasy Short Story

 

Category: Fiction
Closes: 10th September 2011
Fees: £0 for one entry.
Prizes: £0 for first place. Apple iPad; Amazon Kindle x 2.
Details: For fantasy stories between 2,000 and 5,000 words.
Email: f

 

antasyshortstorycompetition@fantasybookreview.co.uk
http://www.fantasybookreview.co.uk/blog/2011/04/10/fantasy-book-review-fantasy-short-story-competition-2011

 

RWA

2011 Gateway to the Best

Sponsor: Missouri Romance Writers of America (MORWA)
Fee: $20 for MORWA Members for 1st entry & $10 for additional entries; $30 for Non-MORWA Members for 1st entry & $15 for additional entries
Deadline: September 9, 2011
Eligibility: Open to unpublished authors and authors who have not been contracted in novel-length fiction (40,000+) in last 3 years.
Entry: Electronic entry only. Entry length limited to first 7,000 words (25-28 pages). No synopsis.
Judges: Published, Unpublished, PRO writers
Categories and Final Round Judges: Laura Barth, HQ, Contemporary Series; Esi Sogah, HarperCollins, Historical; Adam Wilson, HQ Teen, YA; Margo Lipschultz, HQ, Romantic Suspense; Katherine Pelz, Berkley, Single Title; Latoya Smith, Grand Central Publishing, Paranormal.
Top Prize: $100 & entire manuscript critiqued by published author.
FMI, http://www.morwa.org/gateway.htm.

 

Fiction from the Heartland Contest

Sponsor: Mid-America Romance Authors (MARA)
Fee: $30.00
Deadline: September 9, 2011
Eligibility: unpublished in book-length fiction in the past five years of deadline.
Entry: Prologue/First Chapter/Synopsis (max. 35 pages).
Judges: at least one published author and experienced critiquers.
Final Judges: one editor and one agent.
Top Prize: $50.00 and Plaque.
FMI, categories and final round judges, www.mararwa.com.

 

Kathryn Hayes Love & Laughter Contest

Sponsor: RWA/NYC
Fee: $25–30.00
Deadline: September 12, 2011
Entry: See website for criteria.
Judges: experienced, published authors.
Final Judges: editor/agent.
FMI, cwgreenfed@aol.com, or visit www.rwanyc.com/Love-LaughterContest.html.

Good luck and let me know how you get on.

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I had to get the 'Supernatural' guys in here somewhere. Can you spot them?

I write books and I write teleplays, and as I blog quite a bit about the novel side of writing, I thought it was time I delved into the script side of writing.

Well, actually that is a little bit of a lie. I asked a friend, who is an expert on the subject, if they would like to write a guest blog and they agreed.

Let me introduce Win Shields. I first met Win in February at the DFW Writers Convention. He is an amazing man with an amazing background. His career as a staff writer for Universal Studios has enabled him to work on every show imaginable including eighties favorites Charles in Charge and Murder She Wrote.  He has also worked alongside some of televisions greatest actors such as Bill Cosby, Martin Sheen, Jack Klugman and Walter Matthau.

A producer and director of classic plays for television, Win now runs his own production company in Texas.

Enough said. Over to you, Win. Tell us how to write for Television.

Staff writing for television is a specialty craft that is not widely promoted. The main reason is because it is so lucrative a job, and one that is so hard to get, that there is little or no need to promote it.

Back in the 50s, Steve Allen said “In order to be a staff writer for television, you have to be either an Irish Catholic or an Eastern European Jew and you must live in Los Angeles or New York City.”  That certainly sounds as if the industry was bigoted; however, there was a different reason for it.

Staff writing is a high paying job, so many people want to do it.  It is also very demanding. Producers are very reluctant to hire anyone unless they are sure the person can and will do the job. The only way to be sure is to either know the writer extremely well or have them recommended by someone whose judgment is trusted. Going “door to door” with a resume or portfolio will do no good. If a writer is creative enough to do the job, they are capable of writing an imaginative resume. As for the portfolio, the questions that come up are:

  1. Did this person really write this?
  2. How long did it take the person to write this?
  3. How many people read this and suggested changes to this person?

A staff writer must be able to put out a complete show every week.  While there are usually five writers on a staff, each writer must carry his/her own weight.

In the 50s most producers in the US were Irish Catholics or Eastern European Jews. They were not bigoted; however, writers who were members of these ethnic groups would see these producers at least once a week, often going to other events where they would see and be seen by these producers. When I started writing in the 70s, I found the secret to success was still to be in the right place at the right time.

While it is currently true that to get a job writing for a major production in the US, one must live in Los Angeles or New York City, there are people who have been working for the last couple of years to change that. It is my opinion they will succeed within the next year or so. This will give people who are interested in doing this kind of work sufficient time to get into a position to get the jobs.

Have you ever heard someone say “I wrote an episode for a TV series and when the episode came on, it was nothing like the script I sold them.” This is usually followed with “I’ll never write for them again.” Let me comment on the second statement first. If you want to make it as a writer for television, you need to adapt the philosophy that the only reason you would not write for a particular group again would be if their check bounced. People who write for television write for the money. If you want to write for any other purpose - television is not for you. As for the first statement. The people who changed the screenplay (don’t call it a script) are staff writers.

There are really way too many regulations and rules for writing for television for anyone  but a full time professional to know and those regulations and rules (called net specs) change all the time. For instance, when I was writing for Universal Studios, one of the rules was if the show is going to be on ABC, you can’t mention Kentucky Fried Chicken, Taco Bell or Pizza Hut, because ABC belonged to Disney, and Disney had an exclusive contract with Coca Cola and those fast food chains belonged to Pepsi. Nowadays, many of those things are not true.

When a new staff writer is hired, they are assigned to a team, usually consisting of five writers. If you are one of those new writers be prepared for the team to give little or no weight to anything you say. It is best during your “apprentice” years to just keep your mouth shut and listen and learn. It doesn’t mean you won’t get to write. You’ll get to write a lot, but be prepared for anything you write to be “voted down.” The other four will give you suggestions but it will be up to you to figure out how to employ those suggestions. The first year or two will be frustrating but you will learn a lot. By the third year, there will be someone new in your group and it will amaze you that anyone could be as young and dumb as that person, even though they will be just as you were two years before.

As I said, there are people who are working to create work using the major studio staff writer system to provide product for the many growing cable channels. Once they start hiring, they will be looking for people who are creative, trained and have an established relationship with people who have credibility in judging talent and skills. Anyone interested in being a staff writer should start preparing now.

One of the problems is know how to get into the right position. Woody Allen said “Those who can’t write, teach and those who can’t teach, coach.” It is certainly true. There are a lot of people out there who are willing to take your money to teach/coach you to being a screenwriter. The problem is once they’ve taught/coached you, you’re  on  your own, which means you’re no closer to your goal then before you put out all that money.

Here’s a little known (or at least little thought about) secret. Those who could really help you don’t need your money. I’m not saying you should not pay to belong to a writers’ organization, writers’ workshop, or to attend writers’ conventions. These are very important ways to network and to meet those who can help you. Consider though, that those who teach at these workshops and conventions are rarely, if ever, paid for their teaching. That’s because these people, who can really help you, don’t do it for the money. They do it because they are creative people who want to help other creative people realize their dream.

You can find Win at Win Shields Productions.

Are you a screen writer? Do you work for a studio or television company? What are your experiences?

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