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Okay, are you ready for Part 5?

Good, because today’s mission is to jot down a jolly good log line.

Huh?

A log line. You know, that one sentence you scream at an PEA (publisher/editor/agent) as they whizz past you at a writers conference.

Oh, that. But I can’t tell anyboy what my story is about in one sentence.

Well, suck it up because you have to. Hey, you do it on Twitter all day long.

Right, I’ve already explained it but for the benefit of the few sitting at the back of the room playing ‘Angry Birds’ on their i-phones, a log line is one short, sweet, grab you by the seat of your pants, sentence that explains your whole story. Simple :D

Easy. Now for the hard bit.

But why do we have to do the log line thing now? I want to plot.

We do the log line now because it will help you stay on track when writing your novel. Plus, if a PEA asks what your current work in progress is, you’ll be able to tell them minus the ‘..and then this happened’ or ‘..oh, I forgot to tell you about so-in-so at the beginning’…. See how it all makes sense? You need to hook them and quick. A good log line will do that.

Would it surprise you if I said PEA’s really do want to know what your novel is about? The problem most writers have is they just cannot get the right words out quick enough. In some instances you have a mere ten seconds to hook your listener. Choosing the right words is vital. Get it right, and you are on your way.

So, how can we do that?

Basically, a log line consists of four things. Seems simple doesn’t it?  Think again. Nothing in life worth having is simple. *Cheesey grin*.

Lets take a closer look at what these three things are.

1.     A main character, who
2.     Has a mission or a goal, but
3.     Must overcome an obstacle or some kind of opposition
4.     Before all hell breaks loose.

First, our protagonist is our main character or ‘hero’. The goal is what he/she wants and the obstacle is what is stopping he/she from reaching it. All hell breaking loose is what happens if he/she fails in their quest.

For example:

In the first of the ‘Twilight’ series, (the aptly named ‘Twilight’), the protagonist is school girl, ‘Bella Swan’.
Her goal is to find out more about mysterious class mate, ’Edward Cullen’.
Her obstacle is that he is a vampire and vampires like to drink humans dry.
All hell breaking loose is that Edwards vampire enemies want to kill her.

Now we have that down, is there anything else we need to create a great log line?

Hell, Yes!

First, we must be perfectly clear. We may understand what is going on in our story, but the PEA reading our log line doesn’t know squat and has absolutely no idea what it’s about.

You need an example? Oh, alright, I’ll tell you my very first ever log line. No laughing.

An American socialite witnesses a murder and goes on the run from the MOB and FBI, but an attempt on her life leaves her with selected memory loss and it is up to a London police officer to uncover her past before they’re both assassinated.

And breathe. No choking. Excellent, lungs refilled? Then let’s continue.

There are so many things wrong with this log line, it would be easier to tell you what’s right with it….absolutely nothing. It’s too long – another ten words and I’d have a completed novel. It has too way too much back story, and blah, blah, blah.

So what went wrong? I followed the rules. I have my protag and antag. I have the goal and all hell breaking loose.

Well, yes that’s true, but then I just threw everything on the page and hoped the words would sort themselves out while I grabbed a cuppa and watched NCIS. Let me explain – Writing the words is only part of the processes. The order in which we place them is a whole different ball game.

Thanks to the awesome Kristen Lamb, the format for a log line should be something close to this:

An ADJECTIVE NOUN (protagonist) must ACTIVE VERB the (Antagonist) before  SOME REALLY HORRIBLE THING HAPPENS (stopping the protagonist from reaching her goal).

Now, if I’d presented my log line correctly the finished product may have looked something like this instead:

‘A quiet museum curator suffering from amnesia must uncover her secret past to unlock the real reason the mob has put out a contract for her life.

One thing to remember: The main logline is one sentence.

And please bear in mind that squeezing ten commas and a couple of semi-colons between one hundred and fifty words doesn’t constitute as ONE sentence….more like a splitting headache and a weekend recovering at the Priory. So, one sentence = 30 or less words.

Ok, I’ve embarrassed myself enough (something I seem to do a lot on this site), and now it is your turn. Be brave and mirror in the comment box your first vs current  log lines. Alternatively, if you have a log line you need help with, add that too. Everyone will be kind, I promise :D

Have you had a novel requested off the back of a log line? Do you find writing log lines hard or easy? Come on, don’t be shy….you know how I love talking to you guys.

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James Lipton and the Actors Studio did it for fun with the actors…..Now, I’m doing it for fun with the writers.
 
 
Ooooh, it’s all turning romantic on the 30 Second Interview today.
 
Why?
Because Mills & Boon author, Nicola Marsh, has taken the plunge (all the way from Melbourne, Australia I might add), and answered the famous ten questions.
 
Okay, so as always, let us start at the beginning and find out how one can go from wanting nothing more than a career in Journalism – and ending as a  physiotherapist.
 
During Nicola’s tenth school year, she embarked on some work experience in a physiotherapy department at a rehab hospital. A girl after my own heart, she admits to not even knowing what physiotherapy was up until that point. But she absolutely loved it. And after four years at university, she happily skipped into a career within the health industry…..where she remained for thirteen years.
 
“I’m going to write a book one day”. Ha! How many wannabe writers have that nagging voice sitting on their shoulder? Well, Nicola decided to do something about it.
 
After reading an article on speed dating, Nicola wrote her first book, The Tycoon’s Dating Deal. In 2003, she not only sold this book to Harlequin Romance, but in 2004 it won the CataRomance Reviewers’ Choice Award for Best Harlequin Romance. Not bad going for your first novel.
 
Since then, Nicola has published a whopping 32 novels, selling over 3 million copies. I think it’s safe to say she is a firm favorite with Harlequin Mills and Boon Romance readers.
 
And it doesn’t stop there. Nicola has racked up a mountain of awards, including Bookscan, USA Today and Waldenbooks bestseller.
 
Now, I’ve done my maths. Okay, you guys know when I’m lying – I used a calculator, but I know that Nicola averages four novels a year. That’s a (wait while I hit a few more buttons) book written every three months! Heck, it takes me that long to plot my story and characters.
 
How on earth did this wife of one and mother of two find the time to answer these questions?
 
1.  What is your favorite word?  Mummy
 
2. What is your least favorite word? School-fees
 
3. What turns you on?   Flirting
 
4. What turns you off?    Sleaze
 
5. What sound do you love?   Laughter
 
6. What sound do you hate? Alarm
 
7. What is your favorite curse word?   Damn ;)
 
8. What profession other than yours would you like to attempt?   Hairdressing
 
9.  What profession would you not like to do?  Politician
 
10. If heaven exists, what would you like to hear God say when you arrive at the pearly gates? “Angel!”
 
 
You can purchase Top 5 Best South Asian Fiction 2011, Busted In Bollywood here.
 
Special Ops short story Tag Team is currently free at Amazon, Apple, Barnes & Noble, all Romance Ebooks, and Smashwords!  If you like sparks, sizzle & suspense, this read is for you!
 
And, watch out for Not The Marrying Kind, a marriage of convenience story set in Vegas and featuring a desert bad boy made good. Release date to be confirmed shortly (will be within the next 6 months.)
 
Contact Information

For more information regarding Nicola Marsh, please check out her website, Facebook, twitter, blog.

If you want more of me, I can be found on FacebookTwitter, Google+ and Linkedin

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This weeks competitions that have caught my eye:

FICTION: Via First Writer

Jerry Jazz Musician New Short Fiction Competition
Category:   Fiction
Closes:   31st May 2012
Fees:   $0 for one entry.
Prizes:   $100 for first place.
Details:   For short stories between 1,000 and 5,000 words that would appeal to a reader with interests in music, social history, literature, politics, art, film and theatre, particularly that of the counter-culture of mid-twentieth century America.
Country:   United States
Email:   jm@jerryjazz.com
Website:   http://www.jerryjazzmusician.com/mainHTML.cfm?page=fictioncontest.html

Writersbillboard Short Fiction 
Category:   Fiction
Closes:   27th April 2012
Fees:   £2.50 for one entry.
Prizes:   £0 for first place. Prize is publication on the website
Details:   Short stories, 400-4000 words, any theme.
Country:   United Kingdom
Website:   http://www.writersbillboard.net

The Stringybark Seven Deadly Sins Award
Category:   Fiction
Closes:   10th June 2012
Fees:   $9.95 for one entry. Discounts for multiple entires.
Prizes:   $350 for first place. A$150/ A$75 plus publication.
Details:   Awarded for a short story that relates to one (or more) of the seven deadly sins: lust, gluttony; greed, sloth, wrath, envy and pride/vanity. Cordially invites all writers, including our international friends, to put their hand to writing a short story in 1500 words or fewer.
Contact:   David Vernon
Country:   Australia
Email:    judges@stringybarkstories.net
Website:   http://www.stringybarkstories.net

Novel Beginnings 1st Chapter Contest
Category:   Fiction
Closes:   30th April 2012
Fees:   $10 for one entry. Limit 3 entries
Prizes:   $150 for first place. Second – $75, third – $50.
Details:   Open to all. Open subject (no explicit or gore). Max 6,000 words. Winning entry posted, winner profiled on website. Free critique to first 50 entries. Optional line edit available, $2 per page.
Contact:   The Write Helper, 104 Harke Lane, Old Monroe, MO 63369.
Country:   United States
Email:   amy@thewritehelper.com
Website:   http://www.thewritehelper.com

Sheldon Currie Fiction Prize
Category:   Fiction
Closes:   31st May 2012
Fees:   $25 for one entry. $30 (US); $40 (RoW).
Prizes:   $600 for first place. $400; $200. Also publication.
Details:   For fiction up to 20 pages.
Contact:   The Antigonish Review Contest, Box 5000, St. Francis Xavier University, Antigonish, Nova Scotia, B2G 2W5
Country:   Canada
Email:   tar@stfx.ca
Website:   http://www.antigonishreview.com/index.php?option=com_content&view=article&id=59&Itemid=62

The Novel Prize 2012
Category:   Fiction
Closes:   31st August 2012
Fees:   £0 for one entry.
Prizes:   £0 for first place. £6,000 worth of professional services.
Details:   The Novel Prize showcases how far self-publishing, handled professionally, can take you by offering a unique opportunity to win expert editorial, design, publishing and marketing services. The winner receives: 1. Editing (worth up to £2,500); 2. Design and publishing (£1,000); 3. Publicity (£500); 4. Social media consultancy and web design (£2,000). Entry is free and is open until 31 August 2012. Full terms on the website.
Contact:   The Book Specialist, Bye Pass Road, Nottingham, England
Country:   United Kingdom
Website:   http://www.thebookspecialist.com

The FFW Flash Fiction Contest
Category:   Fiction
Closes:   9th June 2012
Fees:   £0 for one entry. Free to enter.
Prizes:   £25.00 for first place. 2nd £15.00, 3rd £10.00
Details:   All stories of up to 1000 words that are published on our site are automatically entered into our free quarterly competition.
Country:   United Kingdom
Website:   http://www.flash-fiction-world.com

Cowbridge Book Festival 
Category:   Fiction
Closes:   1st April 2012
Fees:   £0 for one entry.
Prizes:   £100 for first place. 2nd prize £50 3rd prize £25.
Details:   This is an opportunity for everyone over the age of sixteen, who enjoys writing, to put his/her literary skills to the test. Your task: To compose an introductory chapter to a short story in not more than 750 words. To enter post your submission to the address below.
Contact:   Cowbridge Book Festival 2012, Creative Writing Competition, Cowbridge Community College, Old Hall, High St. Cowbridge, CF71 7AH
Country:   United Kingdom
Website:   http://cowbridgebookfestival.co.uk/creative-writing-competition/

The Word Hut Short Story Competition
Category:   Fiction
Closes:   13th May 2012
Fees:   £4 for one entry.
Prizes:   £50 for first place.
Details:   Short stories up to 1000 words on any theme or in any genre. Written in English. Stories previously posted on blogs accepted.
Country:   United Kingdom
Email:   info@thewordhut.com
Website:   http://www.thewordhut.com

ROMANCE WRITERS OF AMERICA Via RWA

 *Open to published authors
**Open to published and unpublished authors

**Romancing the ScriptSponsor: Scriptscene RWA
Fee: $20 for Scriptscene members, $25 for other RWA chapter members
Deadline: May 1, 2012
Eligibility: Any RWA chapter member.
Entry: First Act, not to exceed 30 pages. Electronic entry only. PDF format. Entry must be in standard industry spec script format. (See Scriptscene website for example.) If chosen as one of the 3 finalists, full completed script (PDF) must be submitted for the final judging.
Categories: Any genre as long as there are romantic elements in script.
Preliminary Judges: Professionals in the movie industry.
Final Judge: Suzanne Lyons, Producer/President Snowfall Films, Inc and WindChill Films, Inc.
Top Prizes: Read by Zac Sanford, VP of Development at Suntaur Entertainment. Winner/Finalists receive log line listing in InkTip and a 6-month subscription to InkTip’s Preferred Newsletter (www.inktip.com). Please check Scriptscene’s website for additional prizes.
FMI, visit Scriptscene http://www.scriptscene.org. Please contact Leslie Ann Sartor at rts.contest@gmail.com if you have questions.

SCRIPT WRITING OPPORTUNITIES Via ISA:
(N.B. Only contact the companies listed below between 2 April – 25th April 2012)

NYC ARTS SCHOOL SEEKS SCREENWRITING FACULTY 
The Bronx Academy of the Arts (opening 2014) is seeking prospective (part-time) faculty for the following positions: Intro to Screenwriting, Advanced Screenwriting, My First Novel, Intro to Songwriting. Apply online at http://www.bronxartsacademy.com/faculty-staff-application. All levels of experienced and talent are welcome. Thank you.

ASIA-BASED PRODUCERS SEEK SCRIPTS 
We are Asian-based producers soliciting completed feature-length scripts (action-adventure / thriller / sci fi / etc) that portray stories and/or characters about Chinese culture and/or that are set in China — OR — scripts with an identifiable rewrite potential set in China (‘sinosizable’). Successful scripts will be produced in the People’s Republic of China and will necessarily be vetted by the government. Content already translated into Mandarin and/or pre-approved material will be given very high priority. Budget range to be determined. Both WGA and non-WGA writers may submit. Send inquiries to us at intlcreative@gmail.com

PRODUCTION COMPANY SEEKS SCRIPTS 
THE PHILM COMPANY is looking to expand our slate of scripts specifically COMMERCIAL stories that can be produced on 500k-£2m of any genre. We’re also interested in reading scripts that are set in Asia and written by screenwriters local to that region. We’re always looking to find the next best screenplay but be realistic: we are not a studio and therefore probably unable to produce your $500m sci-fi blockbuster! If you are a represented writer, please ask your agent/manager to submit your project via the guidelines below. Selected scripts will be optioned by the company and developed with the writer. At this initial stage please ONLY submit: a log-line and a synopsis (up to one page.) Send to info@philmcompany.com If we like the sound of your script we will then contact you to request a full length screenplay. DO NOT SEND SCREENPLAYS STRAIGHT AWAY. Please do NOT send short film or documentary ideas.

SCREENWRITER FOR COLLABORATION
Do you have a great logline?  An intriguing idea?  A first draft or an in-depth outline for a screenplay that will get industry attention?  If you do and need help with structure, dialogue, etc., I can help.  I have optioned one feature and have had a 20-minute drama produced.   I would like to collaborate with another writer with a great idea.  If that is you, write to me at screenwriter500@aol.com

MADATOMS.COM SEEKING FREELANCE COMEDY WRITERS 
MadAtoms.com is seeking freelance (paid) comedy writers to produce our daily comedy content in the form of essays, charts, comics, infographics, illustrations and more. If you’re a hilarious writer interested in writing with a unique take on sex, dating, politics, film and TV, pop culture and everything else relavent to creative 20-somethings, get in touch. Please send samples to submissions@madatoms.com Please no fake news, “funny” sports commentary, blatantly copy-pasted generic CVs without samples, or links to an impossible-to-navigate blog about your college basketball team. We want short and funny. We pay for every article we publish, offer good exposure, and have hookups with a major studio in L.A. Thanks.

SEEKING BRIT COM FEATURE SCREENPLAY
Eclipse Talent are looking to make their first comedy feature film. A Brit Flick in similar style to The Full Monty and East is East. If you have a script or idea that you think we might be interested in please email: eclipsetalent@aol.com THE SCREENPLAY MUST BE BRITISH.

LOOKING FOR A CREATIVE SCRIPTWRITER 
Looking for a creative scriptwriter to help with the script for a promotional film trailer to promote the sport of airsoft within the UK. The short 1 minute advert is a collaboration to enable us to test the limitations of the Canon DSLR’s and C300 in a variety of conditions and set-ups. Airsofting is a hobby sport within the UK that caters for teenagers and adults alike to enjoy ‘real’ call of duty game play, utilising realistic weaponry and tactics, the sport is played throughout the UK on a number of woodland, urban and sometimes offshore sites! I’ve got a basic script plan, with locations already organised, along with kit and crew. I’m now looking for a talented scriptwriter to develop a narrative around what we have, this will be a great opportunity for anyone looking to move into screenplay development and may lead to future work – as we’re currently looking at funding a feature. Dates for filming are currently the 14th and 15th of April. Send inquiries to tom@tbpfilms.com

DIRECTOR SEEKS FEATURE SCREENPLAY
I am a director looking for a feature film screenplay that I would turn into my debut. If finding the right material, funds for the film will not be a problem – after directing a short film trilogy, I am currently second director on a major feature film shot in the Czech Republic and the production company is happy to back my own debut. I am looking to shoot as soon as 1st half of 2013. If you are a writer with a good script (or even just an idea) looking to have their screenplay produced, please send me a 1 page treatment to mike.samir@live.com Any genre, any length, at this stage I am completely open, looking for the right thing, something that will shatter all the ideas I have. If your script is intriguing to me, I will immediately contact you with more details. Looking forward to hearing from you.

SCREENWRITER FOR TRACK/COACHING FILM STORY
You know how to craft a slick, professional screenplay.  But do you also know about track & field, about coaching?  If so, we should talk.  I have a film story that can win.  Am seeking a writing partner to develop my treatment into a full screenplay.  Imagine bad news brs. + chariots of fr. x Special Olympics.  Work together in trust and integrity; share equally in a sale. Send inquiries to me, Jess Prochilo, at jesspro98@hotmail.com

LOOKING FOR SCRIPT EDITOR 
I am looking for a script editor to edit my three short film scripts. The first one is a 25 page short film script. If we are both happy working together after this one then we will work on the other scripts. These are all non-profit short film scripts but I will be happy to pay 100 GBP per script. Native language should be English. Please inquire with me at omerkula@kulaworks.com

PILOT WRITER WANTED
I have an idea for a  dramedy television series, but I  want somebody to write the pilot. Think PUSHING DAISIES meets GLEE with a hint of THE CHRONICLES OF NARNIA. Send your writing samples to Tim Bartow at baackflipcreator@aol.com under the subject line “pilot writer”. Non-paying gig.

DIRECTOR SEEKS CHARACTER DRIVEN COMEDY FOR 2013 PRODUCTION
Jnine Media and lead director are looking for feature length dark or quirky character driven comedies for option and production. (Examples: Juno, Napoleon Dynamite, School for Scoundrels) Family, character, and/or multicultural driven casts a plus. Script would be optioned and considered for 2013 production.  Budget range would be $200,000-$500,000. Option fee available. Please send the synopsis and/or script for your project to Jenn Shaw at jenn@jninemedia.com. The director will contact you directly with interest. Thank you.

COMEDIC SCREENWRITER NEEDED FOR SOCIAL MEDIA SKETCH SERIES 
Poquito Johnson films are in need of an experienced screenwriter to collaborate on a “on the fly” social media comedy sketch series which takes place in Tampa Florida. Ideal candidate would be in the Tampa area, be between the ages of 18-34, and of course be *frigging* awesome. If samples are submitted, please register them with an appropriate Writing Guild before submission. Currently position is non-paid. Contact Mutt Johnson at poquito.johnsonfilms@gmail.com

CONFERENCES AND CLASSES:

Building The Author Internet Presence — 2 Month Course by Jen Talty $40.00

Will be Offered May/June 2012

Register here. If you don’t exist on the Internet do you exist at all? Discoverability is the key to the 21st century author. In this workshop I will guide you through various on-line interactions that can help increase your Discoverability. In order to be discovered it is important to make sure everything you do has a unifying them. All of your interactions on the Internet have to be meaningful to you and your followers. We will discuss your banding and marketing plans, making sure you have all the key elements in place. This workshop is heavy in content and theory, however there will many exercises to help you increase your brand’s discoverability.

SHAPING YOUR STORY: Narrative Structure Workshop *5 places left

With Vicky Grut 
Saturday, 21 April 2012, 10.30am – 4pm

A practical day of writing exercises and focused discussion for novelists and short story writers who want to explore story structure. Come along and experiment with different kinds of story shapes or bring an existing story outline and get feedback on work-in-progress in a supportive environment. Cost: £85 includes tea, coffee and a sandwich lunch. Group limit: 12. 

 

Please remember to check out legitimacy of all contests, classes, and conferences before you enter, and to copyright all your work before you submit.

Good luck and let me know how you get on.

If you want more of me, you can also find me on FacebookTwitter, Google+ and Linkedin

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James Lipton and the Actors Studio did it for fun with the actors…..Now, I’m doing it for fun with the writers.
  
 
This 30 Second Interview sees a different kind of writer than what we’ve had so far.
 
No, by different I don’t mean he finger-paints his words on to chalk boards or chisels them into rock. I mean this is a writer of non-fiction.
 
Let me introduce you to Brendan Foley. It’s okay, he won’t bite. Trust me.

 
So who is Brendan Foley and what does he do? Well there is Brendan Foley, the International sailing champion who has represented Ireland at many World and European Championships. Or, Brendan Foley the owner and founder of Seachange Training. But, if it’s success in your career, business, and life you’re after, then you need Brendan Foley the best selling author and life coach.
 
With quotes such as ‘Happiness is the starting point, not the end goal. Be happy now!’ Brendan has worked with thousands of people and helped them find their potential. And with numerous TV appearances on shows such as The Morning show, you know you’re going to be in safe hands.
 
 
Here’s some of the amazing books and CD’s you can buy:

 The Yin Yang Complex – signed paperback book

The Yin Yang Complex explores the nature of the masculine and feminine energy, that exists inside every person regardless of gender. Learn how to create balance and success in your relationships, business, the community and the environment.

The Yin Yang Complex – Guided Meditations CD

Experience the guided meditations from the Yin Yang Complex. This powerful audio experience will help you to understand your masculine and feminine energy and help you to create more balance in your life. The CD tracks:

Introduction
Meet your Yin and Yang
The Yin and Yang of Nature
Discover Yourself
Envisioning the future

All the meditations are voiced by the author Brendan Foley.

 
 ’5 States of Success’: insight, connection, certainty, vitality and spirit. When these states are entered into they produce; clarity, empathy, conviction, action and purpose, which are the essential ingredients of meaningful success.
 
You can also check out his amazon page.
 
One thing I totally love about this guy is, if you email him, he will not only autograph a book but will also write a personal message of your choice.
 
So for a guy that has it all together, what did he make of our ten questions?
 
1.  What is your favorite word?  Yes
 
2. What is your least favorite word? Bored
 
3. What turns you on?   My Wife. The Ocean. Life.
 
4. What turns you off?    Celery
 
5. What sound do you love?   The whispers of my children sleeping
 
6. What sound do you hate? Vacuums on acrylic carpet
 
7. What is your favorite curse word?   Clusterfuck (a term for every possible thing going wrong all at the same time!)
 
8. What profession other than yours would you like to attempt?   Exploration filmaking
 
9.  What profession would you not like to do?  Taxidermist
 
10. If heaven exists, what would you like to hear God say when you arrive at the pearly gates? “Great, you made it, the party has started – they’re all waiting for you!”
 
Contact Information

For more information regarding Brendan Foley, please check out his website, Facebook, twitter, blog. Or, why not email Brendan at foleybrendan@gmail.com

If you want more of me, I can be found on FacebookTwitter, Google+ and Linkedin

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This weeks competitions that have caught my eye:

FICTION: Via First Writer

Graffiti Magazine Writing Competition
Category:   Fiction
Closes:   10th April 2012
Fees:   £2 for one entry.
Prizes:   £25 for first place. Also magazine publication.
Details:   For short stories on any theme, up to 1,000 words.
Country:   United Kingdom
Email:   graffiti.magazine@yahoo.co.uk
Website:   http://www.wilkiemartin.com/competition.php

Wolfe Pack’s Black Orchid Novella Award
Category:   Fiction
Closes:   31st May 2012
Fees:   $0 for one entry.
Prizes:   $1,000 for first place. Also magazine publication.
Details:   For crime mystery novellas between 15,000 and 20,000 words.
Contact:   Jane K. Cleland, Chair, Jane K. Cleland, P.O. 3233, New York, NY 10163-3233
Country:   United States
Email:   jane@janecleland.net
Website:   http://www.nerowolfe.org/htm/neroaward/black_orchid_award/BO_award_intro.htm

Novelicious Undiscovered 2012
Category:   Fiction
Closes:   3rd April 2012
Fees:   £0 for one entry.
Prizes:   £0 for first place. Prizes include Kindle; vouchers; critique; books.
Details:   For the first 3,000 words of a chick-lit novel.
Country:   United Kingdom
Email:   undiscovered@novelicious.com
Website:   http://www.novelicious.com/noveliciousundiscovered2012.html

Best and Brightest Competition
Category:   Fiction
Closes:   13th May 2012
Fees:   £0 for one entry.
Prizes:   £200 for first place. There are plenty of other prizes on offer as well- visit our website for further details!
Details:   A creative writing competition for student and graduate authors; a competition that isn’t just limited to the members of a single University’s Students’ Union, but one which is open to entrants from across the United Kingdom, and beyond! After judging all the entries on a regional basis, anthologies of the 10 regional shortlists will be published; and 2 months later, the readers’ votes will be counted to see who makes it into the FINAL anthology!
Contact:   292 Rochfords Gardens, Slough, Berkshire SL2 5XW
Country:   United Kingdom
Email:   bestandbrightestcompetition@gmail.com
Website:   http://best-and-brightest.co.uk

Pearl Short Story Prize
Category:   Fiction
Closes:   31st May 2012
Fees:   $10 for one entry.
Prizes:   $250 for first place. Also magazine publication.
Details:For short stories up to 4,000 words.
Contact:   Pearl Short Story Prize, 3030 E. Second Street, Long Beach, CA 90803
Country:   United States
Website:   http://www.pearlmag.com/contests.html

Steyning Festival Short Story Competition 2012
Category:   Fiction
Closes:   31st March 2012
Fees:   £4 for one entry. Three for £10.
Prizes:   £250 for first place. £50; £25.
Details:   For unpublished fiction up to 1,500 words. Any theme.
Country:   United Kingdom
Email:   steyningbookshop@yahoo.co.uk
Website:   http://www.steyningfestival.co.uk/short-story-competition-2012

SCRIPTS

Shoreline Screenwriting Competition 2012
Entry Fee: £25 ($38approx) Early Deadline.The Competition Is Open!
Shoreline Scripts Screenwriting Competition 2012 is made up of a small team of experienced producers and script consultants.
Our strong relationships within the industry, both in the UK and US, enables us to pair the right projects with the most suited producer.
Prizes are great, but a writers biggest challenge is getting his or her work out there. That’s where we come in. Throughout the competition, and after, we will activelyget the best scripts into the hands of the people that can get them made.
Shoreline Scripts is open to anyone, anywhere in the world!

Website:   http://www.shorelinescripts.com/index.html

ROMANCE WRITERS OF AMERICA Via RWA

 *Open to published authors
**Open to published and unpublished authors

International Digital Awards (IDA)
Sponsor: Oklahoma Romance Writers of America
Fee: $15.00
Deadline: May 1, 2012
Eligibility: Any ebook with a copyright date of 2010 or 2011 that was eligible for sale in 2010 or 2011 and is NOT available in print.
Entry: Non DRM PDF as email attachment.
Categories: (All of the following offer BOTH a short/novella and a Novel category in each genre) Contemporary, Erotica, Historical, Inspirational, Paranormal, Suspense, Young Adult.
Judges: Readers, including other unpublished and published authors.
Top Prize: Winner of each category (short and Novel) will receive an engraved paperweight and reviews, tweets, and Facebook posts from at least five OKRWA members. Bonus prize: All entrants will be placed in a drawing for a free book trailer.
FMI, http://IdaContest.Wordpress.com.

SCRIPT WRITING OPPORTUNITIES Via ISA:
(N.B. Only contact the companies listed below between 26 March – 17th April 2012)

MEDIA COMPANY SEEKS WRITERS
Miso Studios seeks writers to produce witty and informative content for Social TV second screen platform. This content (we call them sideshows) will be synchronized in real time with the content from the your TV set-top box.  We are looking for writers that have a good understanding of social media space and technology-savvy.  The position will require 10 hours a week at flat rate to produce 5 sideshows and extend through an entire season (8-10 weeks). Go to http://goo.gl/DOmw6 to indicate your interest in the Miso Studio Writer position. Feel free to check out our website for more information: gomiso.com/sideshows

SCREENWRITER WANTED
Cinemonger Motion Picture Company is seeking SCREENWRITERS to work with on developing feature films. Responsibilities: Work closely with producers to form characters, story and dialog; Brainstorm with the development team; Perform in-depth research; Write character bios, outlines, treatments, scenes, synopses and screenplays; Follow grammar, style and legal guidelines; Stay on schedule. Requirements: Must have completed a minimum of two feature-length screenplays; Must be extremely comfortable with screenplay format, structure and the English language; Must understand how a film is made and knowledgeable about film language; Must be a team player and open to criticism and direction; Must be a self-motivated individual; Must have the ability and talent to write in multiple genres. Please send cover letter, bio, filmography or resume and a 5-10 page sample in TWO of the following categories: Quirky Character Piece; Sexy Suspense/Thriller; Action Sequence; Teen Drama or Comedy (R-rated is OK); Family Drama or Comedy. DO NOT SEND more than 20 total pages. Send all materials to: ASSISTANT@CINEMONGER.COM Compensation is negotiable, depending on experience of writer and budget of project. On average of $400 – $1,000 initial payment. Plus back end profit sharing.

SEEKING SCREENWRITERS FOR SHORT FILM 
Looking for a STORY WRITER for a short film. The genre is psyhco-thriller. Premise, characterization and basic story arc is already chalked out. The writer needs to fill in the gaps with interesting events in the life of the character(s), add exciting and fresh story elements, build a dramatic conflict with suitable twists & turns. The film is intended for the festival circuit and movie channels on TV & online. Freshers are most welcome, provided they have keen sense of storytelling and a basic understanding of what is possible on screen and what not, within the limited budget of an experimental short film. People who are passionate about doing something different & exciting in this industry, please apply with your CV here and also send a short sample of your creative fiction writing to soumya.tvconceptsdev@gmail.com

SEEKING EXPERIENCED SCREENWRITERS
We are looking for experienced screenwriters for the pre-production of a major film. Serious inquires only. All interested candidates must be familiar with the current standard screenplay format (i.e. Final Draft software). For more information, please contact Noel at sbv7four@gmail.com

SEEKING LATINA SCREENWRITER 
Looking for a Latina screenwriter that wants to join me in writing a feature script based on my short film Neon Angels. (Neon Angels has played in Los Angeles, Philadelphia, and Atlanta Film Festival.) Pay will be $200 – after script is done. Contact me, Alex Clavijo, at asclavijo@yahoo.com

ONLINE SERIAL WRITER SEEKS SCREENWRITER
Online serial writer (GUIOPERA) seeks stealth screenwriter (someone who goes about their business undetected) for long term partnership to develop concepts and ideas for TV, film and online/video games. The partnership will yield new intellectual property for new company created by collaboration. so there is no pay in the first instance. Please email john@etfiction.com for more information.

COMEDIC SCREENWRITER SEEKS COLLABORATOR
Comedic screenwriter is on quest for epic collaboration with equally talented writer for dramedy project. Specifically looking for writer(s) with some experience. Must have a thorough knowledge of the 90′s. Send messages of interest to Mutt Johnson at poquito.johnsonfilms@gmail.com. Gig is non-paid.

SCREENPLAYS FOR PRODUCTION WANTED 
V-FilmS is looking for film scripts, regardless of runtime or genre – however we give exciting and crazy scripts preference. Main condition for entries is that the scripts are innovative and can be produced on low budgets. Please send your script (include a short synopsis) to contribute@meridianum.eu. If you have no script as of now, send us a message anyway if you are interested in writing for us on a freelance basis. We are looking forward to your exciting work and stories.

STUDENT PRODUCER LOOKING FOR FEATURE SCRIPT
Hi, I’m taking a producing program in NYFA. I’m looking for a script which is any genre but related with tourism, or travel, or theme park, or any kinds of movie theaters. Yor script would be developed as a feature film project for a student thesis, which include all business plans, bugeting, scheduling, and potentail director, potentail castings. If possible, I am going to find the resource to produce it. Contact me, James Chuang, at jameschuang0422gmail.com I’m willing to have an option agreement if the script has a potential to develop as a feature film.

NEED FEATURE SCREENPLAY
Small video company needs a feature film screenplay for ultra low budget production. Shooting only in NYC area with 2-3 main actors. We can pay a little money. Contact Alen at alex.video@yahoo.com

SEEKING SCREENWRITERS FOR COLLABORATION
Hi, I am looking for Writing Partners who are serious and creative. Looking for people who are willing to travel to meet just as i am willing to travel to meet. I have started multiple projects in the action and comedy categories and have acquired some good contacts to send material out when it is finished. You will receive a percentage of what comes out of the finished product. I have a great movie started that just needs some touching up on the script so it won’t take long to finish. I am looking to get 1-2 other writing partners to possibly develop into a real money making writing team. If you are interested please email me at darakkhamone@yahoo.com and we can exchange contact info. Thanks, Darak Khamone.

PRODUCTION COMPANY SEEKING SCREENWRITERS 
Central Station Media is a well-established production company that has filmed and edited over 500 TV commercials which have aired on national and International TV channels, and has produced 1 feature film to date. As we open our new Hollywood production facility our company will be selecting the 5 most-promising screenwriters (based on previous work), as well as the five most promising directors in a contest to showcase local talent and draw attention to our company’s new feature film production capabilities. During production, Central Station Media will provide all equipment, casting, and production facilities at absolutely no cost to screenwriters or directors. There is no pay associated with this project, but screenwriters and directors that are chosen will have access to a full studio of equipment to make their creative visions a reality. For Screenwriters: Please submit a SHORT screenplay that is 3-5 pages long, and preferably takes place in 1-2 locations. For Directors, please submit your resumes to the email associated with this posting. We look forward to reading your screenplays and resumes. Send to us at censtation@gmail.com

DIRECTOR SEEKING SCRIPTWRITER FOR COLLABORATION
I am an award-winning director looking for a scriptwriter to collaborate on another short film in the near future. I have just finished another short but am hungry to collaborate on another exciting project. I have a great track record of successfully making the most of script ideas, delivering great pitches and overall achieving funding through national film funding schemes. I will use part of that funding to pay for the production rights to your script, so that your creativity and hard work are fully rewarded. I would like to receive any treatments/scripts for a short films that you have written and feel would make a good short film. Ideally looking for fictional dramas of any sort. Please email your submissions to Rohan Green: rrrproductions@hotmail.com Then we can speak soon and take it from there. In the meantime, here are a few links of interest: http://news.bbc.co.uk/local/london/hi/people_and_places/2012/newsid_8950000/8950008.stm and http://filmlondon.org.uk/news/2010/july/award_winners_announced_for_best_of_boroughs Thank you.

YOUNG SCORE WRITER LOOKING TO WRITE SCORES FOR MOVIES 
I am a young score writer that has made many scores, but none of them have ever been used. I would love to work on a score for a movie. If you are interested in my full list of works and my complete bio, please contact me at mtmichael13@gmail.com

LOOKING FOR DRAMA/DRAMEDY SCRIPTS 
We’re a film team looking for some good drama/dramedy scripts. You should really only send scripts (to: storybirdfilms@gmail.com) that are WGA protected–it’s just a smart thing to do. For further info about us visit our web site at http://storybirdfilms.com/. You’ll notice a lot of comedy, but we’re looking to branch out. There is no pay, nor is there any plan to make money. This is art for art’s sake. If it turns out well, we’ll submit it around to festivals. Thank you.

SCREENWRITERS WANTED 
I am a producer and starting a new company and need fresh, talented writers who can give words to the imaginations and can create a magic onscreen and can attract audience. Interested candidates can apply and can send sample of their work or loglines in any genre to me, Ekta, at ekta_lovesdancing@yahoo.com

LOOKING FOR SCREENWRITER FOR MUSIC TELEVISION SHOW 
Looking for screen/script writer for a short community music television show. One day shoot. Payment is on a lo/no/deferred basis. Apply to Gabriel at amfestevents@gmail.com

CONFERENCES AND CLASSES:

Self-Publishing Options–6 Week Course taught by Bob Mayer & Jen Talty for $40.00

Will be offered April 2012

(Registration Open) Published author considering publishing your backlist? Unpublished author considering self-publishing? This workshop will look closely at self-publishing distribution channels from what kind of file you will need to upload your eBook to various options you have in creating the files. We will also discuss all the various platforms such as Kindle, Nook, iBooks and Smashwords and what are the best strategies to getting your book up for sale. We will discuss doing it yourself, outsourcing and team-building options. Authors have more options today than ever before, but the process can be overwhelming. While this is not a step-by-step technical class, the workshop is designed to give you enough information to make informed decisions on how to get your eBook on all formats possible. Course taught by Bob Mayer and Jen Talty

San Francisco Writer’s Conference - February 14-17, 2013

We are proud to announce bestselling author R.L. Stine will be our keynote speaker for 2013.

Continued for the 2013 SFWC  More conference! The SFWC will start on Thursday evening and run through the entire President’s Day weekend. Both new and returning attendees will appreciate the welcome session on Thursday evening (Feb. 14th) at no additional cost. As always, the main event is Friday through Sunday…but now there will be optional PreEvent and PostEvent Master Class writing intensive sessions which will be announced later this year. Watch your Newsletter for announcments. 
Click here for registration information.

Please remember to check out legitimacy of all contests, classes, and conferences before you enter, and to copyright all your work before you submit.

Good luck and let me know how you get on.

If you want more of me, you can also find me on FacebookTwitter, Google+ and Linkedin

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This weeks competitions that have caught my eye:

FICTION: Via First Writer

Writers’ Journal Short Story Contest
Category:   Fiction
Closes:   30th May 2012
Fees:   $10 for one entry.
Prizes:   $350 for first place. $125; $75.
Details:   For short stories up to 2,000 words.
Contact:   Short Story Contest, Val-Tech Media, P.O. Box 394, Perham, MN 56573 Country:   United States
Website:   http://www.writersjournal.com/ShortStoryContest.htm

DreamQuestOne Writing Comp – Summer 2012
Category:   Fiction
Closes:   31st July 2012
Fees:   $10 for one entry. add $2 transaction fee for electronic entries
Prizes:   $500 for first place. All contest winners will be published online.
Details:   This writing contest is international; open to anyone having a story that’s worth telling everyone! Now accepting short stories, 5 pages maximum, fiction, on any subject or theme, neatly hand printed or typed, single or double line spacing for a chance to win cash prizes! First Prize: $500, 2nd: $250, 3rd: $100. Postmark deadline: July 31, 2012. Visit the website below for details and enter!
Contact:   Dream Quest One, Writing Contest, P.O. Box 3141, Chicago, IL 60654
Country:   United States
Website:   http://www.dreamquestone.com

Calderdale Short Story Competition
Category:   Fiction
Closes:   6th July 2012
Fees:   £4 for one entry.
Prizes:   £300 for first place. Second Prize £100, Runners Up £50.
Details:   No theme. Short stories up to 3,0000 words.
Contact:   Anna Turner, Central Library,Northgate, Halifax, HX1 1UN
Country:   United Kingdom
Email:   anna.turner@calderdale.gov.uk
Website:   http://www.calderdale.gov.uk/leisure/libraries/readers/writing-competition/index.html

Colonsay book festival writing comp
Category:   Fiction
Closes:   20th April 2012
Fees:   £0 for one entry.
Prizes:   £0 for first place. A book from one of the book festival authors.
Details:   As part of our book festival we are holding a 100 word flash fiction competition. Submissions may be on any topic but must include the word Colonsay. Submissions must be exactly 100 words long. Winning entries may be published in a short phamphlet. Please submit via e-mail.
Contact:   Colonsay Book Festival, Drumclach Cottage, Isle of Colonsay, Argyll, PA61 7YR
Country:   United Kingdom
Email:   colonsaybookfestival@hotmail.co.uk
Website:   http://www.spanglefish.com/colonsaybookfestival/index.asp

Flash a Famous Phrase
Category:   Fiction
Closes:   1st May 2012
Fees:   £1.00 for one entry.
Prizes:   £30.00 for first place. 2nd £20, 3rd £15. Winners also get Featured Writer page on our website.
Details:   Celebrating National Flash Fiction Day! Stories up to 500 words based on a famous phrase or saying. Winners announced on May 16, National Flash Fiction Day.
Country:   United Kingdom
Website:   http://www.flash-fiction-world.com/flash-fiction-famous-phrase-competition.html

Sentinel Literary Quarterly Short Story
Category:   Fiction
Closes:   5th April 2012
Fees:   £4.00 for one entry. £8 (2 stories), £10 (3), £12 (4)
Prizes:   £150 for first place. Second Prize: £75, Third Prize: £50, High Commendation £10 x 3 plus publication.
Details:   For previously unpublished short stories in English language on any subject, in any style, up to 1,500 words long. 1 Entrant will win 1 year’s subscription to our writing competitions magazine.
Contact:   Sentinel Poetry Movement, Unit 136, 113-115 George Lane, South Woodford, London E18 1AB.
Country:   United Kingdom
Email:   competitions@sentinelpoetry.org.uk
Website:   http://sentinelquarterly.com/competitions/short-stories-0412/

2012 Unbound Press Short Story Award
Category:   Fiction
Closes:   30th April 2012
Fees:   £5.00 for one entry. £5 or €8 or $10
Prizes:   £500 for first place. £500, £250, £125 Anthology publication, winners and shortlist receive 1 free copy
Details:   Length: 1500 words, no min.
Contact:   Unbound Press, PO Box 16864, Glasgow, G11 9DJ or unboundpress@gmail.com
Country:   United Kingdom
Website:   http://www.unboundpress.com/competitions

2012 Spilling Ink Flash Fiction Prize
Category:   Fiction
Closes:   31st March 2012
Fees:   £5.00 for one entry. 1 £5 / 3 £10, 1 €8 / 3 €16, 1 $10 / 3 $20
Prizes:   £500 for first place. £500, £250, £125, Anthology publication, winners and shortlist receive 1 free copy
Details:   Length: 500 words, no min.
Contact:   Spilling Ink Review, PO Box 16864, Glasgow, G11 9DJ or spillingink.email@gmail.com
Country:   United Kingdom
Email:   spillingink.email@gmail.com
Website:   http://www.spillinginkreview.com/competitions

ROMANCE WRITERS OF AMERICA Via RWA

 *Open to published authors
**Open to published and unpublished authors

The 5th Annual Alaska Break-Up Contest
Sponsor: Alaska Chapter of RWA
Fee: $30.00
Deadline: May 1, 2012
Eligibility: Submitted manuscripts must be unpublished.
Entry: All entries electronic; submit up to 10 pages of your manuscript’s most tense argument, breakup, or black moment. A 1–3 page scene set-up may be included but will not be judged.
Categories: Open to all categories and heat levels.
Judges: AKRWA trained judges, PRO and published authors.
Final Judges: Publishing Editor TBA
Top Prize: Personal critique of the entry by New York Times Bestselling Author, Cherry Adair.
FMI, for full rules, please visit http://akrwa.org.

SCRIPT WRITING OPPORTUNITIES Via ISA:

FREELANCE SCRIPT/COPY WRITERS SOUGHT BY UK CREATIVE AGENCY
Superhero, a central London moving image creative agency is seeking talented freelance script writers to work on a range of projects. Superhero works primarily with entertainment brands: films, video games, music, theatre, live events, lifestyle producing TV ads, film trailers, EPKs and video content for on-line use. Sought are writers to work on a range of projects: TV ad copy, Film trailer copy, EPK / Vodcast interview questions and structure, Advertiser funded programming ideas and Brand content film ideas. If you have expertise in all or some of these areas please apply with details of experience and rates.

SEEKING HORROR FEATURE FILM SCRIPTS
Perdell Productions LLC is looking for completed horror feature film scripts for micro-budget production. Check out the director’s latest feature film http://www.imdb.com/title/tt2069957/. Please submit to us at prtfhasco@gmail.com a quick description, along with a synopsis of the script(s). Writers will be compensated based on the sale of the finished project. Serious inquiries only please. Thank you.

SHORT SCRIPTS WANTED (CANADIAN WRITERS ONLY)
I am a established Montreal cinematographer/director with over 25 years experience looking to director my next short.  All genres are welcome. Script should be between 5 – 7 pages. For funding purposes, the writer must be Canadian. Financial compensation to be provided based on the quality of the work. Please send a copy of your script to my assistant, Patrick Greatbatch, at greatbatchmtl@gmail.com.

EXPERIENCED WRITER NEEDED FOR DOC FEATURE SCRIPT
Screenwriter needed for feature documentary project in final stages of post. Experience in writing a feature documentary script is required. I would like to see your previous work(s). Pay to be negotiated. Please contact Cass Paley at cass@casspaley.com. Thank you.

LOOKING FOR SHORT FILM SCRIPT
I’m looking for a short film script that can be produced on a budget of next to nothing, but still look great and catch the eye. If you can use storytelling to really grab the imagination, I can do the rest. I’m particularly interested in magical realism, conceptual science fiction, or spooky but intelligent horror. Something transportive, that takes the viewers outside themselves. A good example (as far as features go) would be David Lynch’s Mulholland Drive, or Jacques Rivette’s Celine & Julie Go Boating. Please get in touch for more details, to pitch at me, or if you’d like to send a script, please feel free. Looking at around 5-10 minutes in length. Send to me, Adam, at adam.leslie@btinternet.com. Many thanks.

CONFERENCES AND CLASSES:

Writing Mom’s: How to do it all course taught by Natalie C. Markey $20.00

Plot, character arc, transitions, climax, revise, rewrite, make that deadline, blog, check social media sites, continued education, volunteer for local writing group, read critique partners manuscript, research agents/publishers, read books within your genre, read a craft book and network.  These are ALL things that go through writers’ minds on any give day. But what if you had to add: Make bottles, keep up with diaper/Gerber/ formula supplies, feed baby three times a day plus bottle feedings, playtime, bathe baby, wipe up thrown sweet potatoes, shower to get sweet potatoes out of your hair, more playtime, hope for a naptime (for baby, you must write,) schedule playdates, read to baby, and hope baby actually goes to bed at the designated time.
For many writers, this is reality. In fact, many full-time writers are made because of a child being born. Some amazing mothers write late at night, around their day job. However you do it, being a writing mom is a challenge but very doable and rewarding. Learn easy self study tactics, time management tips and suggestions from a ten-year freelance journalist, published author and speaker who also has a one-year-old daughter and a high maintenance dog. You can have it all without losing your mind.

Thriller Fest Writer’s Conference - July 11-14, 2012

This year, spotlight guests will include 2012 ThrillerMaster Jack Higgins, 2011 ThrillerMaster R.L. Stine, Lee Child, John Sandford, and Catherine Coulter, along with 2012 True Thriller Award Recipient Ann Rule,  2012 Silver Bullet Award recipient Richard North Patterson, and 2011 Silver Bullet Award recipient, Karin Slaughter.

REGISTER NOW! You won’t want to miss the most spectacular conference for thriller writers and thriller fans on the planet!

Please remember to check out legitimacy of all contests before you enter, and to copyright all your work.

Good luck and let me know how you get on.

If you want more of me, you can also find me on FacebookTwitter, Google+ and Linkedin

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James Lipton and the Actors Studio did it for fun with the actors…..Now, I’m doing it for fun with the writers.
 
 
Now, I have one hell of an imagination (as most of you know), but what eleven year old kid, when given a school essay to write, would dream up a story about bomb disposal?
 
Author and writing extraordinaire, Chris Nickson. That’s who.
 
From that moment on, Chris realised he was born to be a storyteller. Um, yeah, no kidding.
 
Leeds-born Chris moved to the good old U S of A at the tender age of 21, where he stayed for thirty years.
 
Now if you are a music lover, then you may know him as the well-known music journalist, Chris Nickson, where he has written for numerous publications, including Global RhythmNo? Well Chris also broadcast on NPR, and is the author of The NPR Curious Listener’s Guide to World Music, Solid Air: The Life of John Martyn and the forthcoming Nice Up the Dance: The Story of Studio One
 
To top that, he’s also a singer-songwriter and guitarist.
 
However, maybe you know the name ‘Chris Nickson’ if you have a love for celebrity biographies. Chris has written several including ones for Will Smith, David Boreanaz, Ewan McGreggor, Mariah Carey, and Superhero Christopher Reeve.
 
In fact, in an interview on Laydilejur: Books and Stuff…, Chris boasts “At the height of it I was doing five or six (biographies) a year, as well as plenty of music journalism – to nourish the soul. I was very lucky, I was a writer and I was making a good living. If it was prostitution, it was definitely at the call girl end of the scale.”
 
No, still haven’t heard of him? Even though he has published over 28 non-fiction books? What rock have you guys been hiding under?
 
Chris is also author of the Richard Nottingham Series. The first, The Broken Token, was published in 2010. This was followed in 2011 with Cold Cruel Winter, which was subsequently named one of the 10 Best Mysteries of 2011 by Library Journal.
 
And Creme De La Crime has just released Constant Lovers, the third in the series. It’s US release date is set for May 1st, 2012.
 
Come the Fear, the fourth book in the Richard Nottingham series will be released in the UK in July 2012.
 
Also, 2011 saw the e-book release of late singer-songwriter John Martyn’s biography: ‘Solid Air: The Life of John Martyn’.
 
So, let’s see what self-confessed Yorkshireman and devotee of good tea and digestive biscuits made of our interview. 
 
1.  What is your favorite word?  Actually
 
2. What is your least favorite word? Debt
 
3. What turns you on?   Hair
 
4. What turns you off?    Hatred
 
5. What sound do you love?   Birdsong
 
6. What sound do you hate? Banality
 
7. What is your favorite curse word?   Fuck
 
8. What profession other than yours would you like to attempt?   Musician
 
9.  What profession would you not like to do?  CEO
 
10. If heaven exists, what would you like to hear God say when you arrive at the pearly gates? “Bugger Off!”
 
  
 
 Contact Information

For more information regarding Chris Nickson, please check out his website, Facebook, twitter, blog, or email Chris at chrisnickson2@gmail.com

If you want more of me, I can be found on FacebookTwitter, Google+ and Linkedin

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This weeks competitions that have caught my eye:

FICTION: Via First Writer

Elizabeth Simpson Smith Short Story Competition 
Category:   Fiction
Closes:   15th May 2012
Fees:   $20 for one entry. $15 for members.
Prizes:   $0 for first place. Apple iPad; $200; $100.
Details:   For short stories between 1,500 and 4,000 words.
Contact:   Elizabeth Simpson Smith Contest, Charlotte Writers’ Club, P.O. Box 220954, Charlotte, NC 28222
Country:   United States
Email:   contests@charlottewritersclub.org
Website:   http://www.charlottewritersclub.org/ess_short_story

Eighth International Short Story Contest 
Category:   Fiction
Closes:   1st April 2012
Fees:   Ł6.50 for one entry. ($9.75). Two for $8.63 / Ł5.75 each; three for $7.50 / Ł5.00 each; or five for $6.00 / Ł4.00 each.
Prizes:   Ł200 for first place. Also magazine publication and vouchers for subscription for the winner and ten Special Commendations.
Details:   For short stories up to 3,000 words. Enter online at http://www.firstwriter.com/competitions/short_story_contest/
Country:   United Kingdom; United States; Ireland; Canada; Australia – submissions accepted from anywhere!
Email:   support@firstwriter.com
Website:   http://www.firstwriter.com/competitions/short_story_contest/

Lorian Hemingway Short Story Competition
Category:   Fiction
Closes:   15th May 2012
Fees:   $15 for one entry. $20 if submitted after May 1, 2012.
Prizes:   $1,500 for first place. $500 x 2. Also publication.
Details:   For short stories up to 3,500 words.
Contact:   The Lorian Hemingway Short Story Competition, P.O. Box 993, Key West, FL 33041
Country:   United States
Email:   shortstorykw@gmail.com
Website:   http://www.shortstorycompetition.com/Guidelines.php

Mad as a Hare
Category:   Fiction
Closes:   31st March 2012
Fees:   $0 for one entry.
Prizes:   $50 for first place. $25 second prize
Details:   Enter your fiction or non-fiction of up to 2500 words about personified animals. Free sign-up –a friendly, knowledgeable, and intensive online critique community for writers and poets–is necessary in order to post your entry. E-mail entries will not be accepted. See our website for full rules and guidelines.
Country:   United States
Website:   http://www.scribophile.com/contests/mad-as-a-hare-contest/

Sunpenny Young Writers Competition
Category:   Fiction
Closes:   31st March 2012
Fees:   £3 for one entry.
Prizes:   £50 for first place. £25.
Details:   For short stories up to 3,000 words by young writers up to 14.
Contact:   10 Aspen Close, Harriseahead, Staffordshire ST7 4HD
Country:   United Kingdom
Email:   writers@sunpenny.com
Website:   http://www.sunpenny.com/competitions/2011/youngwriters2011.html

Segora Short Story 
Category:   Fiction
Closes:   31st May 2012
Fees:   £5.50 for one entry. £10.50 for 2.
Prizes:   £150 for first place. £50 and £30.
Details:   1,500 – 3,000 words Judge: winner of the inaugural competition in 2008 now has his first novel placed with an agent. The winning entry will be read at the first bilingual LitFest to take place in our village in SW france.
Contact:   Gordon Simms Le Moulin de Larche St Clementin 79150 Deux-Sevres France
Country:   France
Website:   http://www.poetryproseandplays.co.uk

American Short(er) Fiction Prize
Category:   Fiction
Closes:   1st May 2012
Fees:   $15 for one entry.
Prizes:   $500 for first place. $250. Also publication.
Details:   For short fiction up to 1,000 words.
Country:   United States
Email:   editors@americanshortfiction.org
Website:   http://www.americanshortfiction.org/index.php?option=com_content&view=article&id=18-short-shorts&cat

First Page Competition 2012
Category:   Fiction
Closes:   8th June 2012
Fees:   £6 for one entry. £10 for two.
Prizes:   £500 for first place. 2nd £100 and 3rd £50.
Details:   What are we looking for: the most gripping, read-on-able first page of up to 400 words. Any genre, but as always we’re looking for The Best First Page.
Contact:   2 Malt Kiln Road, Newbiggin, Ulverston, Cumbria, LA12 0TU
Country:   United Kingdom
Email:   editor@wordswithjam.co.uk
Website:   http://www.wordswithjam.co.uk/firstpagecompetition2012

ROMANCE WRITERS OF AMERICA Via RWA

 *Open to published authors
**Open to published and unpublished authors

*2012 Published Maggie Award Contest
Georgia Romance Writers
Fee: $20.00
Deadline: May 1, 2012
Entry: novel-length romances with 2011 copyright.
Judges: Booksellers/Librarians.
FMI, visit http://www.georgiaromancewriters.org/the-maggies/.

**2012 Tara Contest
Sponsor: Tampa Area Romance Authors
Fee: $25.00 (Pay Pal accepted)
Electronic Deadline: May 1, 2012
Eligibility requirements: The TARA Contest is open to unpublished and published authors of novel-length fiction. The entry must be the author’s original work, unpublished and uncontracted as of the time of the contest deadline. No entry can have been previously published in any format. (on author’s website visible to the public, self-published, ebook, mass market, etc.)
Entry: All electronic. The first chapter, 4,000 words max (actual word count), including prologue, if applicable. *Word count will be verified. No part of a second or any additional chapters will be judged. End your entry on a hook, leaving your judges breathless with no more pages left to turn. If an entry finals, a synopsis of no more than 1,500 words is required to move on to the final round.
Judges: trained/experienced, published
Categories/Final Judges: Series Contemporary, Brenda Chin, Harlequin; Historical, Leah Hultenschmidt, Sourcebooks; Paranormal, Elizabeth Bistrow, New American Library; Single Title, Sue Grimshaw, Random House; Women’s Fiction, Lauren Plude, Grand Central; Romantic Suspense, Emilia Pisani, Pocket Books; Inspirational, Natalie Hanemann, Thomas Nelson
Top prize: TARA sterling silver pendant & certificate
FMI, http://www.tararwa.com or email Taracontest@gmail.com.

SCRIPT WRITING OPPORTUNITIES Via ISA:

ALCHEMY FILMWORKS SEEKS SCREENWRITER FOR DOCUMENTARY
Would you be outraged if your physician or health care provider intentionally failed to notify you that you had a terminal illness for four years? It is public record the medical professional did exactly that at the beginning of the AIDS pandemic. In the early 1980′s, 114 neonates, and an unknown number of adults, were given HIV infected transfusions at a major LA hospital. The problem first surfaced in 1983, but records clearly show notification to any of the families of those afflicted was deliberately withheld until 1987. I would like to team up with a skilled documentary filmmaker or writer to create an amazing film. Please write me, Alex Ghaffari, at ghaffari10@yahoo.com.

DIRECTOR SEEKS SCRIPTS FOR ENGLAND-BASED TELEVISION DRAMA
I’m currently looking for television scripts for television drama, in a similar vein as “The Shadow Line” and “Luther”. I’m interested in working with a writer who is willing to work on spec (as I will be) in order to get a project commissioned on a U.K based network. Initially I am interested in producing a 6 part mini series which can either be self-contained (as per “The Shadow Line”) or something with the potential to return with its characters for further episodes. I would be aiming at a post watershed audience for the 9pm – 10pm slot. It would need to be set in modern England day to keep production costs down. Whilst I cannot fund the development, I am happy to negotiate a deal that would see that would see the writer getting a fee that would reflect their period of speculation. Please do not submit whole scripts. Please send a short synopsis or the first 10 pages of a script. I may request the whole script if I feel yours is what I’m looking for. Please email tv@clockworkamoeba.com. For those of you interested in my background, I am a filmmaker that has been largely involved in creating productions which deliver far beyond the limits of their resources. In recent times I’ve built a reputation as a music video director but have worked on a range of film and television productions, in a number of cases as producer/director and have worked on feature script development with other producers.

SHORT SCRIPTS WANTED (CANADIAN WRITERS ONLY)
I am a established Montreal cinematographer/director with over 25 years experience looking to director my next short.  All genres are welcome. Script should be between 5 – 7 pages. For funding purposes, the writer must be Canadian. There is no financial compensation, but you will get sole writing credit. Please send a copy of your script to my assistant, Patrick Greatbatch, at greatbatchmtl@gmail.com.

SEEKING SITCOM WRITER WITH SALES AND CREDITS 
Shambala Entertainment is seeking collaborator to develop sitcom pilot that will be pitched and probably shot. Funny pros (with sitcom credits on IMDB) who know the sitcom craft needed. If we sell, appropriate writing rates will prevail. You must live in Hollywood area and have two to three days/nights available. Please send your experience and appropriate writing sample(s) to Todd Regenbogen at shambalaent@gmail.com. Thank you.

SEEKING LOW BUDGET FEATURE LENGTH  SCI-FI  SCREENPLAYS
Seeking low budget feature length sci-fi screenplays. Please send log-line only at this time. Send to praterpix@gmail.com. Visit producer Matt Prater’s IMDB Profile at http://pro.imdb.com/name/nm1056990/.

PERFORMANCE GROUP SEEKS SHORT FILM SCRIPTS 
Eurisko Performance Group (EPG) is seeking film script submissions of five to seven minutes in length. EPG is committed to producing a short film this fall as part of our “Pass it On” Project. Writers will be involved in all aspects of pre-production and filming. Our topic for this year is “Wrestling with False Gods.” It is at the writer’s discretion how to interpret this theme. EPG is committed to producing challenging and thought-provoking films. We value collaboration and passionate vision. Interested screen writers should submit scripts to Managing Director Michael Davis at euriskoperformancegroup@gmail.com for review. We look forward to reading all scripts that are submitted, and thank you for your interest in working with our company.

LOOKING FOR COMEDIC WRITER FOR COLLABORATION
Looking for a comedic writer to collaborate with on short films and webisodes. We are a small production company anxious to focus more on comedic content. Please send a copy of something recent you have written to us at redefiningfilms@gmail.com. This is not a paid gig. Thank you.

CAT AND WEASEL FILMS SEEKS SCREENPLAYS 
CAT AND WEASEL FILMS is looking for new scripts! We will option scripts to develop and produce in 2013. Scripts should be: 1.) Feature length 2.) Written for low-budget (minimal SFX, contemporary) 3.) At least in their 2nd draft 4.) Set in Europe 5.) Intelligent. We are open to ALL GENRES. Please include: 1.) A short bio of yourself. 2.) The script. 3.) A logline. And, optionally 4.) Anything you would like to add. Send to film@catandweasel.com. Thanks! Please let us know if you have any questions!

PRODUCTION CO. SEEKS ROM-COM &/OR DRAMA SCREENPLAYS
We are a media production company in Atlanta looking for completed feature length, high-concept scripts to produce. We are placing emphasis on ROMANTIC COMEDY AND/OR DRAMA. The ideal concept will have minimal locations and cast, a unique non-traditional storyline with a short but strong hook in the logline. Pay to be determined. Please NO ACTION, THRILLER, SCI-FI, ETC. Thank you for your submission. INSTRUCTIONS to SUBMIT: We pay attention to professional, carefully proof-read queries. *PLEASE READ CAREFULLY* (1) In SUBJECT line put ‘LOGLINE/QUERY’ – [TITLE]‘ (2)Cut and Paste QUERY LETTER or SYNOPSIS ONLY into body of email at: SCRIPTS @WILDHUNDREDS.COM (3) Attach FULL script. Partial scripts are accepted however, decisions can only be made from reading the ENTIRE screenplay. Thank you.

WRITING CLASSES AND CONFERENCES

The Writer’s Workshop – How to Write a Novel Course
This course is designed for new writers who want to write a novel. You need absolutely no prior experience – just bring your imagination!
Starts: 24th March, 2012
Tutor: Your course tutor will be Jessica Ruston (left). Jessica is the prize-winning and bestselling author of Luxury and To Touch the Stars. She’s also a very experienced writing tutor and editor and loves working with first time writers.

Desert Dreams Writing Conference
Desert Dreams Writers’ Conference provides authors of all skill levels – from beginner to multi-published – with the tools necessary to take their writing to the next level. Sessions will include general writing, career development, genre-specific, agent/publisher spotlights, as well as an agent/editor panel. There will also be one-on-one appointments with editors or agents, a book signing, and keynote addresses. Check out our roster of acquiring editors and agents along with our keynote speakers and workshops.
Date: April 27th-29th, 2012

 

Please remember to check out legitimacy of all contests before you enter, and to copyright all your work.

Good luck and let me know how you get on.

If you want more of me, you can also find me on FacebookTwitter, Google+ and Linkedin

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Welcome back! Wow, you must be serious about wanting to be an author.

During this ‘So, You Want To Be An Author’ series, I’m using all my WWBC knowledge taught to me by author and social media Jedi, Kristen Lamb, to help you become a better writer.

Last week we talked about why we wanted to become a writer and what it was about writing that we love so much, we need to write ourselves? And there were some brilliant answers.

This week, I want to talk about genres.

How many of you know what a genre is? Pretty much every single one of you, right?

Well I’m not ashamed to admit there was a time way, way back when they baffled the hell out of me. Huh? Is this girl a thicko, or what? Hang on. Before I’m hung, drawn and quartered, let me explain what I mean.

There are two main categories in writing: Fiction and Non-fiction.

Non-Fiction

I’ll touch briefly on non-fiction as this post is mainly about fiction writing.

What is non-fiction writing?  Non-fiction is factual. It’s real. Under this heading we find DIY, health and beauty, sports, automobile, craft, autobiographies, etc, etc. Non-fiction shows, narrates, and even gives helpful little pictures of the topic we wish to learn more about. Got it? Good. Now lets move on.

Fiction

Right, now let’s get down to business.

What is fiction writing? Fiction is totally fabricated and made up – hence why I love it so much.

Now, I myself love writing thriller and crime novels although I’m currently writing a paranormal (but that’s whole other story). Fiction has many sprogs: historical, contemporary, western, romance, science fiction, young adult. The list is endless. But, how do we know which genre is for us?

For example, as I said earlier I am currently writing a paranormal novel. But, I recently entered a competition and paranormal wasn’t an option. Instead I found ‘supernatural’. Okay, close enough,’ I thought. Paranormal – supernatural…. same thing, right?

I mean, most of the genres seem straight forward. Horror pretty much speaks for itself and you can’t go wrong with romance… Well, unless you write a romantic suspense. What does that make your novel? Romance or suspense?

If you plan on writing for Mills & Boon, then you’re pretty much covered. They have a gazillion categories for everything you can think of: medical, nocturnal, western, historical. You just can’t go wrong….unless you’re writing something that has zilch romance. Then forget Mills & Boon.

So I thought I’d try to simplify the genre dilemma a little.

Genres

Western: Howdy. If it has cowboys, horses, (maybe) a damsel in distress, a saloon and a heard of cattle being yee-hawed across a prairie between 1800 and 1890, then western is your partner.

Historical: Whether Victorian, Edwardian, or Tudor, these tend to be based around specific eras with a ton of knowledge to go along with it. If you like your history and you like your research, this just may be the one for you.

Horror: Slicing and dicing is the theme here. Lots of blood, gore, and frightening the bejesus out of your reader.

Children: Don’t confuse this with young adult. The children genre is usually aimed at toddlers and kids up to the age of eleven. So no bad language or sexual references. We don’t want mumsy-wumsy throwing a fit.

Here’s an example of how not to write for children – I warn you, it’s rude.

Young Adult: Probably the easiest way to describe this genre is to think Stephenie Meyers Twilight saga, or L.J. Smith’s (you can see her 30 second interview here), Vampire Diaries. All involving teenagers doing way much more than I did when I was their age. I was a good girl :)

Paranormal/Supernatural: This is a big genre at the moment. Vampires and werewolves are a hit with readers of all ages. So if it has fangs, claws, no reflection, rises from the dead, or wears a halo above its head – stick it here.

Mystery/Crime/Police Procedural/Detective: Firstly, if your opening page starts with your main character searching for her hair brush, not only does this NOT mean it’s a mystery, but I will brain you. However, if your story revolves around an unsolved crime, murder, or anything else that needs both the protagonist and your reader together searching for clues and piecing the bits like a jigsaw, then you may call it a mystery.

Fantasy: Not to be confused with science fiction, this one can be set anywhere; Earth or some made up land where unicorns, fairies, elves and trolls make an appearance – along with a magical maze and a spellbinding witch. Fantasy is totally make-believe, thank God.

Science Fiction/Sci-Fi: Futuristic aliens, robots, the distant galaxy or downtown New York; if you can explain it, no matter how far-fetched, using science, then you have yourself a genre.

Romance: Two people meet, two people fall in love, tragedy strikes, two people break up. reader cries – but then two people get back together for a happy ending and reader goes to shops to buy another box of tissues.

Chick lit: Ever read Sophie Kinsella’s Confessions of a Shopaholic or Helen Fielding’s Bridget Jones Diary? How brilliant are those books? Aim at the female population to provide nothing more than humor, romance, and good old-fashioned girl power.

Thriller/Suspense/Espionage

Action/Adventure: Similar to thriller/suspense for its car chases and fight scenes, this genre is usually aimed a the male race and often uses an expert of some kind: whether ex-military, police, bomb expert, or in Sly Stallone’s case a mountain guide. Then the story will bung said hero in a jungle, dessert, or on top of a mountain. Sometime, though, if the hero is really lucky he’ll stay in his own city.

Legal Thriller: A large part of the action takes place in a court room while we run through a did-she-didn’t-she scenario. If you haven’t ever read John Grisham, surely you’ve seen his movie The Firm? No? How about Judge Judy?

Commercial/Mainstream: These are of no specific genre but are whatever is trending in the ‘moment’. They are, more often than not, plot driven and are expected by the publishing powers that be to make a ton of sales and wads of cash.

Literary: Unlike commercial novels, these tend to be more character driven. But that about ends the description. Even publishers cannot pin-point what makes a novel – literature: use of language, ability to address human conditions, it’s ‘truth’, moral ambiguity…

Right, I think that about covers it. So now it’s your turn. What genre do you write? Have you ever chosen the wrong genre? Do genre labels confuse you? Do you have a story where you are unsure of the genre? Let me know in the comments and together we’ll crack it.

You can also find me on FacebookTwitter, Google+ and Linkedin

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This weeks competitions that have caught my eye:

FICTION: Via First Writer

Short Story of the Month Competiton
Category:   Fiction
Closes:   24th March 2012
Fees:   £0 for one entry.
Prizes:   £0 for first place. Winner: critique, online publication and promotion. £10 Firstwriter voucher
Details:   The monthly competition is open to all writers on any subject. Submissions will be accepted up to 2,000 words. Best of luck.
Country:   United Kingdom
Email:   hayleysherman.editor@gmail.com
Website:   http://www.hayley-sherman.co.uk

The Writer Short Story Contest
Category:   Fiction
Closes:   30th April 2012
Fees:   $10 for one entry.
Prizes:   $1,000 for first place. $300; $200.
Details:   For short stories up to 2,000 words.
Contact:   Gotham Writers’ Workshop, 555 8th Avenue #1402, New York, NY 10018-4358, Att: The Writer Short-Story Contest
Country:   United States
Website:   http://www.writingclasses.com/ContestPages/writer.php

Queen Mother Memorial Story Competition
Category:   Fiction
Closes:   30th March 2012
Fees:   £5 for one entry.
Prizes:   £50 for first place. Possible magazine publication.
Details:   For short stories by writers under 18, up to 250 words.
Contact:   19, Westbourne House, SW1W 8SJ
Country:   United Kingdom
Website:   http://sites.google.com/site/royalpoetrycompetition/competitiondetails

Multi-Story 1500 word competition
Category:   Fiction
Closes:  30th April 2012
Fees:   Ł5 for one entry. Two entries Ł8.
Prizes:   Ł300 for first place. Second Prize Ł100 Third PrizeŁ50.
Details:   Open-themed short story of no more than fifteen hundred words. The winning entries will be published on the site. The judge is an author whose ten novels, including one Booker Prize nominated, have all been internationally published.
Country:   United Kingdom
Email:   info@multi-story.co.uk
Website:   http://www.multi-story.co.uk

E.M. Koeppel $1,100 Short Fiction Award
Category:   Fiction
Closes:   30th April 2012
Fees:   $15 for one entry. $10 each additional entry.
Prizes:   $1,100 for first place.
Details:   For unpublished stories up to 3,000 words.
Contact:   Koeppel Contest, P.O. Box 140310, Gainesville, FL 32614
Country:   United States
Website:   http://www.writecorner.com/award_guidelines.asp

Unleash your imagination: short story co
Category:  Fiction
Closes:   15th March 2012
Fees:   £0 for one entry.
Prizes:   £0 for first place. Published on website, tablet, and eReader
Details:   3000 word limit, theme is what life will be like in 2025, please include political, technological and social changes that will occur over the next 13 years. Please visit the website for more details and submission process.
Contact:   Hannah Iredale The Guardian Kings Place, 90 York Way London N1 9GU
Country:   United Kingdom
Website:   http://www.guardian.co.uk/futurescapes/competition/unleash-your-imagination-short-story-competition

Yeovil Literary Prize
Category:   Fiction
Closes:   31st May 2012
Fees:   £11 for one entry.
Prizes:   £1,000 for first place. 2nd £250, 3rd £100.
Details:   Synopsis and opening chapters of your novel, up to a maximum of 15,000 words.
Contact:   Yeovil Literary Prize, The Octagon Theatre, Hendford, Yeovil BA20 1UX
Country:   United Kingdom
Website:   http://www.yeovilprize.co.uk

Yellow Room Spring Short Story Comp.
Category:   Fiction
Closes:   31st March 2012
Fees:   £4 for one entry. £10 for three.
Prizes:   £80 for first place. £45; £20.
Details:   For short stories up to 2,500 words.
Country:   United Kingdom
Email:   jo.derrick@ntlworld.com
Website:   http://www.theyellowroom-magazine.co.uk/www.theyellowroom-magazine.co.uk/Competitions.html

Ether 18-25 iPad Competition
Category:   Fiction
Closes:   29th April 2012
Fees:   £0 for one entry.
Prizes:   £399 for first place. The story with the most downloads wins an iPad.
Details:   Publishes Quick Reads of 3,000 words or less on the iPhone APP. Our launch contest is for 18 – 25 year old Writers. Any genre is accepted, and the prize is an iPad. ALL ENTRIES ARE PUBLISHED on the iPhone APP.
Contact:   Maureen Scott 1 kildare court london w2 5ju
Country:   United Kingdom
Email:   info@etherbooks.com
Website:   http://www.etherwin.posterous.com

SCRIPT: Via First Writer

Euroscript Screen Story Competition  
Category:   Scripts
Closes:   31st March 2012
Fees:   £35 for one entry.
Prizes:   £0 for first place. £1,000 Worth of Script Development.
Details:   For short films or extracts from full-length screenplays. Send two-page outline, plus ten sample pages from script.
Contact:   +44 (0)20 8208 0992
Country:   United Kingdom
Website:   http://www.inspired-by-nature.org.uk/

ROMANCE WRITERS OF AMERICA Via RWA

 *Open to published authors
**Open to published and unpublished authors 

*7th Annual Passionate Plume Contest

Sponsor: Passionate Ink
Fee: $15–25.00
Deadline: April 15, 2012
Entry: Electronic and print books with strong erotic elements. Must have a 2011 copyright date.
Judges: readers and reviewers.
FMI, visit www.passionateink.org or e-mail passionate_plume@yahoo.com.

**7th Annual Stroke of Midnight Contest

Sponsor: Passionate Ink
Fee: $15–25.00
Deadline: April 15, 2012
Entry: Electronic only; first 35 pages, first 20 pages for novella entries. A synopsis of up to 5 single-spaced pages (which will not be judged) must also be included. Entry must contain strong erotic elements.
Judges: trained, published authors.
Final judges: editors and agents.
FMI, visit www.passionateink.org or e-mail gina@passionateink.org.

SCRIPT WRITING OPPORTUNITIES Via ISA:

WRITING ASST AND ASST NEEDED FOR DOC FILM
I am looking for a writing assistant and an assistant for my documentary film, Long Shot, The Kevin Laue Story – www.thekevinlauestory.com. Between the two positions I can offer between 10-20 hours a week of work. Depending on your contribution we’d workout some type of credit, but mostly you should be looking to be involved with us to proof read, brainstorm and do research as my writing partner and I will be doing most of the actual writing. If this interests you, please submit a sample of your writing to us at info@dutchmenfilms.com. The pay is small, however you will make connections and have a learning experience that will be great and it can lead to other opportunities with this series that we are starting. Please go to www.dutchmenfilms.com to learn more about us and some of the projects we’re involved in.

COMEDY WRITER TO PARTNER
I am an actress/producer who has written a show and I am looking for someone to collaborate with. I have already written the pilot (comedy), shopped it around, the idea is solid, now I want to take it to the next level. If you want to check out some of my work, watch Starvival (youtube.com/starvival) on Youtube. There are 20 episodes that I created, produced, filmed, and edited. Let me know if you’re interested in a potential partnership. Send samples of your work to me at Starvival@gmail.com. I will reciprocate. Serious inquiries only. Thank you.

AUTHOR LOOKING FOR INDUSTRY PROFESSIONAL
American author looking for an industry professional to change my novel into a spec script for film production. I am looking for someone with industry connections. I already have a spec script written, but you may see changes need for the silver screen. This storyline is something like Star Wars meets Star Trek. I am currently penning the last in the trilogy for publication – the first two have already been published. Please send your resume and one sample of your work with the title “Film Adaptation” in the subject line of your e-mail to mentalllll@yahoo.com. There will be no pay for this gig unless there is a sale of the spec script.

NEED WGA ACCREDITED WRITING PARTNER
“Inez Comes to America” is a completed action/adventure feature. Log Line: Inez crosses the border in search of work and her missing mother. She finds murder, cover-up and political corruption. I need the input of a WGA accredited partner to prepare it for submission. We will share equally in film credits, compensation that may come from this film. Please contact me, Joe Patterson, at viejojoe1@cox.net.

ROM-COM OR HORROR SCRIPT WRITER REQUIRED
AB Productions (London) is looking for a scriptwriter to write a predominantly one-location ROM-COM or HORROR script. We are looking for something that keeps that audience hooked, that is witty and original, but also up to date. To apply please send us a couple of synopsis for either genre and your CV/resume to Alana at aa.ab.product@gmail.com. If you have a 10 page sample of your work that would be great. £300-£500 depending on experience.

PILOT WRITER WANTED
I have an idea for a  dramedy television series, but I  want somebody to write the pilot. Think PUSHING DAISIES meets GLEE with a hint of THE CHRONICLES OF NARNIA. Send your writing samples to Tim Bartow at baackflipcreator@aol.com under the subject line “pilot writer”.

SCI-FI SERIES CREATOR SEEKS STORY COLLABORATORS 
I am the creator of Way-Station Nine, a new television series I plan to start shopping to my contacts. Way-Station Nine is going to be Star Trek meets Robotech with a little Wing Commander thrown in. I need people who can help to plan at least five seasons worth of stories for the series. I can’t pay you until we have a budget in place. Once we get a budget then we will work out compensation according to WGA guidlelines. If you are interested contact me, Cordell Garrett, at cordellg3@insightbb.com. Thank you.

SCREENWRITER FLUENT IN ARABIC AND ENGLISH SEEKS COLLABORATIONS
I’m a screenwriter fluent in both Arabic and English. I have completed scripts in English, with Arabic and international characters. I’m looking to collaborate with writers in projects which deal with the middle eastern culture and beyond. Contact me at ayham_la@yahoo.com. Thank you.

LOOKING FOR FEMALE WRITER 
Iron Horse Entertainment is looking for a female writer, preferably African-American, to compose a synopsis or treatment for a true story to which rights are secured. The story centers on a African-American woman (late 20′s) that lands a job at a Hollywood agency. Genre is drama/light comedy and script will be geared for TV/Cable as a MOW. Only accepting writers with sample(s) and resume. Please send material that is registered and less than 15 pages (could be part of a full script) to us at generalinfo@ironhorse-ent.com. Thank you.

LOOKING FOR LATINA SCREENWRITER 
Looking for Latina screenwriter for a coming-of-age feature film script based on the short film “Neon Angels”. Send inquiries to me, Alex Clavijo, at asclavijo@yahoo.com. Thank you.

LOOKING FOR SCREENPLAY COLLABORATOR
Searching for a writer who is interested in working on a screenplay. The story is about two young adults who fall in love in Washington Heights. The girl is deaf and the boy speaks and communicates with her through sign language, they are confronted by obstacles in their neighborhood. We are planning to shoot the film before the summer on location. The film will be submitted to film festivals when completed. For those interested, please contact me at julianlbass@gmail.com. Thank you. 

LOOKING FOR COMPLETED SCRIPTS 
We are looking for talented writers with completed scripts who are looking to see them produced. Our focus is primarily shorts but features and web series are welcomed. We have a very busy schedule ahead of us for this year and are looking to collaborate with professional-minded writers. Top genres of interest are horror, sci-fi, action & thriller but drama and comedy are welcomed. Our budgets are (normally) micro so please keep that in mind when choosing which scripts to submit. Please submit a quick description, along with a synopsis of the script(s) to info@freitasfilms.com. For your own protection, please have your scripts registered before submitting them to anybody. Writers will be compensated based on the sale of the finished project. Serious inquiries only please. Thank you.

LOOKING FOR SCREENPLAY 
Dear August Productions has secured financing and is seeking a feature-length script for production. Genres are horror, comedy, christian themed or documentary. Low to no vfx, animals, or children preferred. There is pay and writing credit will be reserved. Submit treatment for consideration to submissios@dearaugustproductions.com. Selected projects will be asked to forward complete screenplay.

SEEKING COMEDY WRITER TO HELP WITH ANIMATION SCREENPLAY 
I am working on a few animated screenplay projects and am in need of a good comedy writer to add in comedy and to help me finish the scripts. We will split any royalties 50-50. Folks with industry connections to animation houses and agents would be most appreciated. I will give you credit as co-writer. Hope to hear back. Send email inquiries to me, Jeff Dearman, at jdearman77@hotmail.com. Thank you

WRITING PARTNER WANTED 
I’ve written several original scripts that require a native English speaker’s touch. I’m good with ideas but lack the special vocabulary to make them attractive. If anybody wants to partner with me, it would be a worthy experience. Contact me, Jim Kopatsaris, at ellinasxx@yahoo.ca. Thank you.

LOOKING FOR DRAMA SCRIPT 
Currently shopping for a powerful drama script. Am looking to purchase a full script or have someone write it out. Budget for script is $1200. Send inquiries to me, Joe Johnson, at filming35mm@yahoo.com. Thank you.

NYFA PRODUCER SEEKS MUSIC & SPORTS SCREENPLAYS FOR PACKAGING PRO 
New York Film Academy Producer is looking for screenwriter. This screenplay will be used to create entire producer’s package for the script. Package will include a business plan, a look book, a budget, a schedule, and a marketing and distribution plan. I wish to see scripts between 90pg to 110pgs. Please send your log-line and synopsis to me (Junghun Yang) at jnyfa90@gmail.com. I hope to meet a great partner for this project. Thank you.

WRITING CLASSES AND CONFERENCES

Robert McKee London Story Seminar - April 19-22
We have created package deals to offer great savings. Storylogue is an ongoing, online study. New material 365 days a year. Storylogue is the next step to Story Seminar.
 
We expect our Seminars will be sold out again. We kindly ask you to register early to secure your seat. Please note, your registration will not be processed until you have completed the credit card payment. If you have any questions or need assistance, please contact us at helen@storylogue.com or call (928) 204-2323 or (888) 676-2533 or visit our website.

Conflict and Idea course taught by Bob Mayer $30.00

(Registration Open) Can you say what your book is about in 25 words of less? This is essential to both writing a tight book and then selling it. We’ll discuss ways to find and state your original idea so that you stay on course while writing the book. The original idea will you excite those you tell it to when trying to sell it. Conflict drives your story. Not only must conflict escalate throughout the entire novel, every single scene must have conflict in it. The Conflict Box is an effective technique for focusing your story on the protagonist, antagonist, their goals and finding out if you have the necessary conflict lock. These two key concepts can help you focus your writing and narrow your pitch. Course taught by Bob Mayer.

Please remember to check out legitimacy of all contests before you enter, and to copyright all your work.

Good luck and let me know how you get on.

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