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Posts Tagged ‘hero’

You’ve been itching to begin writing, and are so nearly there. But, what is a story without characters? Not a very good one, I can tell you in an instant.

Now, you could be forgiven if you believe a good idea is all that’s needed to write a successful novel. After all, you may be writing an action story. What do you need character’s for? Aren’t they just well toned guys flexing their muscles while shooting up the place? Well, without believable and interesting characters, you’ll have nothing but a lifeless story. Although, if muscles are you’re thing, you may not care if there’s not story 🙂

Okay. For those that aren’t quite sure, I’ll quickly explain the difference between a plot driven story and a character driven story.

Character vs Plot

Plot Driven Story: Usually action-based. The action is what’s classed as driving the story forward. For example, Transporter, Star Wars, Jurassic Park.

Character Driven Story: Character based. The characters drive the story forward. For instance, Rocky, Cast Away, It’s a Wonderful Life.

Now, you may be a little confused. After all, the Rocky films have a lot of action in them. Well, if you look at the original ‘Rocky’ film, the story is about a fighter and his struggle to become a world-class boxer. That is character-driven.

Why do we need to know our characters?

Imagine Jane Austen’s ‘Pride and Prejudice’. I think we can all relax in the comfort of knowing this is a character-driven love story. But, if Austen hadn’t ‘known’ Mr Darcy inside out when writing him, would we, as love-struck, female fans, still be romancing over him today?

We like and love him (some even dream of him), because we feel we know him. And that is what makes a good character. Someone your reader can identify with and relate to.

So, how do we get character’s like this?

First, you need to create them.

Antagonists, Protagonists, and Supporting Cast (aka Minions)

NOTE: Let me just make this little snippet clear. The antagonist doesn’t necessarily have to be a person. The antagonist is whatever hampers the protagonist (hero) from reaching his or her goal. 

However, as this post is about creating characters, our antagonist is going to be human.

So, where do I start?

Always with the antagonist, aka the baddie. They are the reason you have a story. Without one, your protagonist will easily reach their goal – leaving you with a dreary story and no plot.

First you have to decide the kind of character you want to create and make sure they get the correct label. A what? A Label. I made a mistake with the first story I wrote. My antag was a hitman who worked for the mob. But, as it was pointed out to me, the Mob Boss was the real antag. He was the guy giving the orders for the hit. Without him, my hitman would have been out of work. Thus, although my hitman was the main baddie, he was in fact a Minion. Confused? Good. Then, I wasn’t alone 🙂

To explain this a little better, I am going to use a well-know subject.

Jason Bourne. Girls love him and boys want to be him.

In the Bourne films, Jason is a killer. A hitman. Does that make him the antag? No. He is the hero. And this is because he’s trying to reach a goal, which is to remember who the hell he is.

Although it’s a variety of assassins who try to kill Bourne, it’s a CIA group called ‘Treadstone’ who initially orders the hits. This makes ‘Treadstone’ the antagonist. The assassins are mere minions.

And let’s not forget Marie, Jason’s love interest and the girl who helps him attain his goal.

Creating Your Characters

If I were to ask you to tell me about yourself, where would you start?

Five years ago? Ten? How about from the moment you were born?

That is where I want you to start with your characters… From the moment they were born. Write down who their parents were. What kind of upbringing did they have. Create family and loved ones they may have lost along the way. This exercise will run into pages if you do it right. It will round your

characters’ journey and define how they got to be the person in your story. Their likes and dislikes. Their flaws.

Use props – for instance, do they have a limp, or a squint? If so, how did they get it? Remember, Indiana Jones had a fear of snakes. We found out through a (long) flash back in the third film because he fell into a circus snake pit. Makes you wonder if George Lucas had already written it into his background, doesn’t it?

Research your character. If they attended boarding school. Research it. If they were in the army. Research it.

Basically, you are writing a biography. It has to be accurate.

Giving a Character Qualities and Flaws

If you are like me, they you would have rooted for Jason Bourne. Why? Because we liked him. But why would we feel like this? Remember, Jason Bourne is a killer. Does that now make us a hitman loving sociopath?

No. It means the writer has done their job. You want your audience to love your protagonist and cheer them on every inch of the way. If you make your characters too nice, your reader will tire of them and become bored. Likewise, if you make your characters hard-nosed and arrogant. They become unlikable because your readers cannot get close enough to start caring.

Jason Bourne is a man on a mission. He is a killer. And yet every now and then, a slither of emotion escapes and we see a man who cares about right and wrong. That is a character quality. He cares about the well-being of Marie, and this shows Jason’s softer side. Again, another quality, if not also a flaw. His ability to kill so easily, although it constantly saves his life, is a flaw. Having to suppress emotion in order to survive is a flaw. And flaws are what make us human. It’s these flaws that allow your readers to relate to your characters.

Steer clear of stereotypes. Make your character unique. A skin head with pink spiked hair and wearing Doc Martins is stereo-typical. Give him a unique quality that makes him stand out from the rest of the skin heads.

I’ll tell you a quick story I know my co-writer, Natalie Duggan, won’t mind. When I first paired up with Natalie to write the TV pilot ‘Legend’, I mentioned character backgrounds. Natalie thought I was nuts and that it was all a waste of time. She wanted to get to the story. So, I banged my head against the desk, argued until I was blue in the face, then just went ahead and wrote out the backgrounds anyway. I emailed them across and Natalie loved them. Her exact words? “Oh, wow. These are awesome. I really feel I know Roman and Nate (two of the MC’s).” Natalie now writes backgrounds on ALL her characters.  🙂

Okay, that should be enough to start you off.

So, do you create characters before you begin writing? What kind of techniques do you use when creating your characters? Do you make your characters too perfect? Are you plot-driven or character-driven?

If you want more of me, try checking out FacebookTwitterGoogle+GoodreadsKloutBranchOut and Linkedin

Upcoming classes: via Webinar, where we can interact and you ask questions.

14th July: Getting To Know Your Characters

21st July: From Idea To Story

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James Lipton and the Actors Studio did it for fun with the actors…..Now, I’m doing it for fun with the writers.
 
 
Ooooh, it’s all turning romantic on the 30 Second Interview today.
 
Why?
Because Mills & Boon author, Nicola Marsh, has taken the plunge (all the way from Melbourne, Australia I might add), and answered the famous ten questions.
 
Okay, so as always, let us start at the beginning and find out how one can go from wanting nothing more than a career in Journalism – and ending as a  physiotherapist.
 
During Nicola’s tenth school year, she embarked on some work experience in a physiotherapy department at a rehab hospital. A girl after my own heart, she admits to not even knowing what physiotherapy was up until that point. But she absolutely loved it. And after four years at university, she happily skipped into a career within the health industry…..where she remained for thirteen years.
 
“I’m going to write a book one day”. Ha! How many wannabe writers have that nagging voice sitting on their shoulder? Well, Nicola decided to do something about it.
 
After reading an article on speed dating, Nicola wrote her first book, The Tycoon’s Dating Deal. In 2003, she not only sold this book to Harlequin Romance, but in 2004 it won the CataRomance Reviewers’ Choice Award for Best Harlequin Romance. Not bad going for your first novel.
 
Since then, Nicola has published a whopping 32 novels, selling over 3 million copies. I think it’s safe to say she is a firm favorite with Harlequin Mills and Boon Romance readers.
 
And it doesn’t stop there. Nicola has racked up a mountain of awards, including Bookscan, USA Today and Waldenbooks bestseller.
 
Now, I’ve done my maths. Okay, you guys know when I’m lying – I used a calculator, but I know that Nicola averages four novels a year. That’s a (wait while I hit a few more buttons) book written every three months! Heck, it takes me that long to plot my story and characters.
 
How on earth did this wife of one and mother of two find the time to answer these questions?
 
1.  What is your favorite word?  Mummy
 
2. What is your least favorite word? School-fees
 
3. What turns you on?   Flirting
 
4. What turns you off?    Sleaze
 
5. What sound do you love?   Laughter
 
6. What sound do you hate? Alarm
 
7. What is your favorite curse word?   Damn 😉
 
8. What profession other than yours would you like to attempt?   Hairdressing
 
9.  What profession would you not like to do?  Politician
 
10. If heaven exists, what would you like to hear God say when you arrive at the pearly gates? “Angel!”
 
 
You can purchase Top 5 Best South Asian Fiction 2011, Busted In Bollywood here.
 
Special Ops short story Tag Team is currently free at Amazon, Apple, Barnes & Noble, all Romance Ebooks, and Smashwords!  If you like sparks, sizzle & suspense, this read is for you!
 
And, watch out for Not The Marrying Kind, a marriage of convenience story set in Vegas and featuring a desert bad boy made good. Release date to be confirmed shortly (will be within the next 6 months.)
 
Contact Information

For more information regarding Nicola Marsh, please check out her website, Facebook, twitter, blog.

If you want more of me, I can be found on FacebookTwitter, Google+ and Linkedin

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Welcome back! Wow, you must be serious about wanting to be an author.

During this ‘So, You Want To Be An Author’ series, I’m using all my WWBC knowledge taught to me by author and social media Jedi, Kristen Lamb, to help you become a better writer.

Last week we talked about why we wanted to become a writer and what it was about writing that we love so much, we need to write ourselves? And there were some brilliant answers.

This week, I want to talk about genres.

How many of you know what a genre is? Pretty much every single one of you, right?

Well I’m not ashamed to admit there was a time way, way back when they baffled the hell out of me. Huh? Is this girl a thicko, or what? Hang on. Before I’m hung, drawn and quartered, let me explain what I mean.

There are two main categories in writing: Fiction and Non-fiction.

Non-Fiction

I’ll touch briefly on non-fiction as this post is mainly about fiction writing.

What is non-fiction writing?  Non-fiction is factual. It’s real. Under this heading we find DIY, health and beauty, sports, automobile, craft, autobiographies, etc, etc. Non-fiction shows, narrates, and even gives helpful little pictures of the topic we wish to learn more about. Got it? Good. Now lets move on.

Fiction

Right, now let’s get down to business.

What is fiction writing? Fiction is totally fabricated and made up – hence why I love it so much.

Now, I myself love writing thriller and crime novels although I’m currently writing a paranormal (but that’s whole other story). Fiction has many sprogs: historical, contemporary, western, romance, science fiction, young adult. The list is endless. But, how do we know which genre is for us?

For example, as I said earlier I am currently writing a paranormal novel. But, I recently entered a competition and paranormal wasn’t an option. Instead I found ‘supernatural’. Okay, close enough,’ I thought. Paranormal – supernatural…. same thing, right?

I mean, most of the genres seem straight forward. Horror pretty much speaks for itself and you can’t go wrong with romance… Well, unless you write a romantic suspense. What does that make your novel? Romance or suspense?

If you plan on writing for Mills & Boon, then you’re pretty much covered. They have a gazillion categories for everything you can think of: medical, nocturnal, western, historical. You just can’t go wrong….unless you’re writing something that has zilch romance. Then forget Mills & Boon.

So I thought I’d try to simplify the genre dilemma a little.

Genres

Western: Howdy. If it has cowboys, horses, (maybe) a damsel in distress, a saloon and a heard of cattle being yee-hawed across a prairie between 1800 and 1890, then western is your partner.

Historical: Whether Victorian, Edwardian, or Tudor, these tend to be based around specific eras with a ton of knowledge to go along with it. If you like your history and you like your research, this just may be the one for you.

Horror: Slicing and dicing is the theme here. Lots of blood, gore, and frightening the bejesus out of your reader.

Children: Don’t confuse this with young adult. The children genre is usually aimed at toddlers and kids up to the age of eleven. So no bad language or sexual references. We don’t want mumsy-wumsy throwing a fit.

Here’s an example of how not to write for children – I warn you, it’s rude.

Young Adult: Probably the easiest way to describe this genre is to think Stephenie Meyers Twilight saga, or L.J. Smith’s (you can see her 30 second interview here), Vampire Diaries. All involving teenagers doing way much more than I did when I was their age. I was a good girl 🙂

Paranormal/Supernatural: This is a big genre at the moment. Vampires and werewolves are a hit with readers of all ages. So if it has fangs, claws, no reflection, rises from the dead, or wears a halo above its head – stick it here.

Mystery/Crime/Police Procedural/Detective: Firstly, if your opening page starts with your main character searching for her hair brush, not only does this NOT mean it’s a mystery, but I will brain you. However, if your story revolves around an unsolved crime, murder, or anything else that needs both the protagonist and your reader together searching for clues and piecing the bits like a jigsaw, then you may call it a mystery.

Fantasy: Not to be confused with science fiction, this one can be set anywhere; Earth or some made up land where unicorns, fairies, elves and trolls make an appearance – along with a magical maze and a spellbinding witch. Fantasy is totally make-believe, thank God.

Science Fiction/Sci-Fi: Futuristic aliens, robots, the distant galaxy or downtown New York; if you can explain it, no matter how far-fetched, using science, then you have yourself a genre.

Romance: Two people meet, two people fall in love, tragedy strikes, two people break up. reader cries – but then two people get back together for a happy ending and reader goes to shops to buy another box of tissues.

Chick lit: Ever read Sophie Kinsella’s Confessions of a Shopaholic or Helen Fielding’s Bridget Jones Diary? How brilliant are those books? Aim at the female population to provide nothing more than humor, romance, and good old-fashioned girl power.

Thriller/Suspense/Espionage

Action/Adventure: Similar to thriller/suspense for its car chases and fight scenes, this genre is usually aimed a the male race and often uses an expert of some kind: whether ex-military, police, bomb expert, or in Sly Stallone’s case a mountain guide. Then the story will bung said hero in a jungle, dessert, or on top of a mountain. Sometime, though, if the hero is really lucky he’ll stay in his own city.

Legal Thriller: A large part of the action takes place in a court room while we run through a did-she-didn’t-she scenario. If you haven’t ever read John Grisham, surely you’ve seen his movie The Firm? No? How about Judge Judy?

Commercial/Mainstream: These are of no specific genre but are whatever is trending in the ‘moment’. They are, more often than not, plot driven and are expected by the publishing powers that be to make a ton of sales and wads of cash.

Literary: Unlike commercial novels, these tend to be more character driven. But that about ends the description. Even publishers cannot pin-point what makes a novel – literature: use of language, ability to address human conditions, it’s ‘truth’, moral ambiguity…

Right, I think that about covers it. So now it’s your turn. What genre do you write? Have you ever chosen the wrong genre? Do genre labels confuse you? Do you have a story where you are unsure of the genre? Let me know in the comments and together we’ll crack it.

You can also find me on FacebookTwitter, Google+ and Linkedin

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I recently read a blog post ‘What Makes a Male Character Swoon Worthy?’, and loved it so much, I asked the writer, Jillian Dodd, if she would like to write more on the actions of the perfect man; for me.

Over to you, Jillian:

In my book, That Boy, the main love interest in the book is a boy named Phillip. Phillip is pretty dreamy. A lot of readers ask me if a man like Phillip really exists. I always have to answer yes. Phillip shares many characteristics with my own husband. In the upcoming sequel, That Wedding, Phillip shares a pros and cons list he made when deciding if he should tell his best friend that he was in love with her.

I got to thinking about my husband’s pros. So many of the things he does just make me melt.

He was so proud when our daughter was born

He’s the best kisser. Ever. We had a scheduled first date. I had met another guy that I was kinda going crazy about and almost cancelled our date*. I’m so glad I didn’t. When he kissed me, I knew.

He rubs my face to relax me.

He lets me pout to get my way.

He’s okay with the fact that our daughter has him wrapped around her little finger.
 
His muscles.

The way I feel safe in his arms.

How he always rescues me; Flat tires, snow storms, big spiders.

I’m horrible to buy presents for. I snoop. I look at our online banking. I try to trick the kids into telling me, but somehow he manages to surprise me every year.
 
He’s always warm.
 
He always gives me his jacket or sweatshirt if I’m cold, even if it means he gets cold.
 
He’s like my very own Ken doll. He lets me pick out all his suit, shirt, and tie combos.
 
When we were dating, we went snow skiing. It was my first time, and it was super cold. I hate cold. He took my mittens off on top of the mountain and blew warm air into them to warm my hands up.

Enjoying life with my brother at a Husker Bowl game

He’s a busy stressed executive, but he always puts our family first.

He lets me wear his sweatshirts when I’m sick.

He always smells amazing. Specifically his neck.
 
He lets me sleep in late.

He supports my wild ideas.

He didn’t laugh at me when I told him I was going to write a book. He made me finish.
 
He brings me real hot chocolate, the steamed milk yummy kind, in bed.
 
He drives me around to see Christmas lights every year, even though he doesn’t get the big deal.

He makes me laugh.

He puts gas in my car. My car is always empty.

He takes my car to get washed.
 

With my daughter at the lake, after she caught her first fish and she wanted to eat it. He talked her into throwing it back after the photo.

He orders pizza for the kids when I’m tired.

He lets me take really long baths with no interruptions.

He spends numerous hours with my son, working on his go kart, so my son can live his dream.

He buys me chocolate.

He looks equally sexy in a suit as he does in a tshirt.

He loves football as much as I do.

He celebrates life.

He never lets a waiter take his order first. Ladies always order first. Same thing for doors.

He is the dish fairy at our house. I hate emptying the dishwasher and love it when I open it up and the dishwasher is empty. He always tells me the dish fairy came.

He folds a perfect towel. Mine are always messy, whereas his look perfect.

With my son, spending lots of time so he can pursue his dream of racing professionally

He cleans out the shower drain.

He sold his race car to buy my engagement ring.

He doesn’t put up with my shit.

We’ve lived in many homes and in numerous cities, but it never matters. Home is where he is.

.

*You can read that story at http://jilliandodd.wordpress.com/2011/09/07/first-kisses/

For more information on Jillian, check out the following:

Website www.jilliandodd.net
Twitter www.twitter/JillianDodd
Blog: http://www.jilliandodd.wordpress.com


If you want more of me, you can also find me on
FacebookTwitter, Google+ and Linkedin

So, what special things does your partner do for you? How many of the above can you tick off? What qualities do you find attractive in a man? What/who is your ideal partner? Let me know. Let’s see if we can find someone more dreamy that Jillian’s hubby 🙂

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I had never heard of the author, Ken Bruen. Perhaps not the best of starts, but I honestly don’t know where to begin with reviewing this book.

I picked ‘Blitz’ from the book shelf purely because it had Jason Statham on the cover. Okay, so I’m shallow, but Statham’s rugged stance was too persuasive and I buckled in a moment of weakness. It would appear this 2002 book was picked up by Hollywood and hit our screens in June of this year. I confess I totally slept though this period, but the promo on YouTube looks pretty good.

So, what’s this book about?

Basically, a tough cop has to find and stop a psychpath from killing police officers. It’s neat and it’s simple.

Then, I turned to Chapter One. The first paragraph reads:

THE PSYCHIATRIST STARED at Brant. All round the office were signs that thanked you for not smoking.

      The psychiatrist wore a tweed jacket with patches on the sleeves. He had limp, fair hair that fell into his eyes, thus causing him to flick it back every few seconds. This doctor was convinced he had Brant’s measure.

So, nothing wrong with that. Then it continued –

    He was wrong.
    Said:
    ‘Now, Sergeant, I’d like you to tell me again about your violent urges.’

‘Huh?’ I had to back up and re-read. I’d never seen a layout like this before and it threw me. In fact, for the first thirty pages it kept throwing me. Eventually, I came around to Bruen’s way but it wasn’t without a fight.

So, what kept me interested?

The story. There are three stories going on here. Well, actually there are four if you count the killer. And each story lets its character have its own point of view. There is Brant, who I thought would be the main character given the picture on the cover and the blurb on the back. How wrong was I! It’s a bit like Tarantion’s Pulp Fiction and, fortunately, I like this format. Plus the stories drew me in.

What I didn’t like was the ending. I won’t reveal what happens, but I felt very let down.

Would I read another Ken Bruen book? I would have to say ‘yes’. The strange layout aside, I found the story engaging, fast paced and the characters very real. I just hope the next Bruen novel I choose finishes with more of a bang.

Have you read this book? What did you think of it? Have you read any other Ken Bruen novels? Have you seen the movie version? Let me know.

You can also find me on Facebook, Twitter, Google+ and Linkedin

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A log line is one short, sweet, grab you by the seat of your pants, sentence that explains your whole story. Simple 😀

“What?” I hear you gasp. “I can’t do that! It’s taken me over 70 thousand words to tell my story.”

Well, suck it up. You now have to tell it in less than 30. :p

“But why?”

Oh, stop whining :p  One very good reason is this: Agents and editors are extremely busy people. If you’re lucky enough to get ten seconds of their time to ‘pitch’ your idea, trust me when I say you’ll wish you had a log line. The last thing agents want to hear are ‘..and then this happened’ or ‘..oh, I forgot to tell you about so-in-so at the beginning’. You need to hook them and quick. A good log line will do that.

Don’t’ worry, though. Like every professional, and I’m going to use a chef as an example because I’m very hungry and cannot stop thinking about food – crumpets topped with cheese and tomato to be precise… DONNA! Back away from the crumpets! *cough, cough* where was I? Ah yes, log lines….your finished product will only be as good as the ingredients you use.

Here is what you’ll need (courtesy of author and social media expert, Kristen Lamb).

1 drop of protagonist
1 cup full of antagonist
1 spoonful of active goal

Mix well and leave to settle.

See, simple.

But, beware. If you fail to use the ingredients as instructed, your log line just won’t rise to the occasion. Oh, alright, I’ll tell you my first log line. No laughing.

An American socialite witnesses a murder and goes on the run from the MOB and FBI, but an attempt on her life leaves her with selected memory loss and it is up to a London police officer to uncover her past before they’re both assassinated.

And breathe. No choking. Excellent, lungs refilled? Then let’s continue.

There are so many things wrong with this log line, it would be easier to tell you what’s right with it….absolutely nothing. It’s too long, has too way too much back story, and blah, blah, blah.

So what went wrong? I followed the recipe. Well, yes that’s true, but then I just plonked everything on the plate and hoped no one would notice. Let me explain – Writing the words is only part of the processes. The order in which we place them is a whole different ball game.

The format for a log line should be something close to this:

An ADJECTIVE NOUN (protagonist) must ACTIVE VERB the ANTAGONIST before  SOME REALLY HORRIBLE THING HAPPENS (stopping the protagonist from reaching her goal).

Now, if I’d presented my log line correctly the finished product may have looked something like this instead:

‘A quiet museum curator suffering from amnesia must uncover her secret past to unlock the real reason the mob has put out a contract for her life.

Ok, I’ve embarrassed myself enough (something I seem to do a lot on this site), and now it is your turn. Be brave and mirror in the comment box your first/final log lines. Alternatively, if you have a log line you need help with, add that too. Everyone will be kind, I promise 😀

Now, I’m off to make some crumpets….

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We often forget about the things we did as kids, maybe because our memories are not as sharp as they used to be when we hit middle age, but probably because these memories are so embarrassing, we choose to block them from our minds.

A couple of days ago, I was searching for some photographs. Now, if your parents are like mine, your whole life is packed into boxes and stored in the attic, and when I say your whole life I mean it. From the love letters you wrote to your first crush in maths class to the hideous video footage of your first sports day when you won the 100 metre sprint but all you really see are my skinny legs and knobbly knees. Anyway, my mum retrieved some of these boxes and, together, we began to go through them. I can tell you, while a mystery to me at the time, I look back at my school photos and now fully understand why I couldn’t get a boyfriend! Just when I didn’t think I could feel any worse about myself, I found something I really couldn’t remember writing. Of course, my hubby quickly took a photograph of it and threatened to publish it on Facebook…Who said a relationship stales after marriage?

So as a bit of fun (and I wanted to beat him to it), I thought I would share it with you.

 

In case you cannot read it, it says, “Dear John Travolta. I like your records very much and I like Grease. Love Donna. xxxxx”

Oh, how I can feel myself regretting this already. Notice there is no date. This is so I can adamantly deny I was older than five when I wrote it. Unfortunately I was 8 when Grease hit our cinemas, so I reckon I had to be 8 or 9 when I penned it. It reads a little like my query letters now, actually.

Ok, that’s enough laughing at me. I want you to comment with an equally embarrassing story or memory from your childhood. If I get over 15 replies, I will tell you of another TV couple who I do remember writing to, and I was a lot older too. 😀

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How would you kill someone?

For the last month or so I have been plotting my second novel and I have struggled a little in one particular area. Let me explain. My antagonist is a professional killer hired to kill an amnesic victim. I reached his first kill and suddenly it hit me. Just how would he kill? Now, I unashamedly admit to having an over zealous imagination in the killing department. Because of this, I needed to strip bare my ideas, go back to the beginning, and list the basic ways one could kill a person.

So my list began.

Shooting
Stabbing
Strangulation
Poisoning
Torture
Asphyxiation
Explosives/Bombing
Snapping Necks
Bludgeon to the head
A Wand – well it worked for Harry Potter.

All of these are killing techniques we have seen a thousand times in various movies such as Die Hard, Scream, Basic Instinct, Friday the 13th ……I could go on and on. However, each of the above, when applied to a certain character, would be executed in a different way. For example, Die Hard’s John McClain would perform a magnificent display of acrobatics while catapulting his vest top covered torso through the air to shoot his enemies. Whereas in Fatal Attraction it takes Anne Archer just one determined shot to kill Glenn Close. Another example is stabbings. In Basic Instinct, Sharon Stone seduced her victim before unleashing a frenzied attack by way of an ice pick. However, Romancing the Stone (can you see a Michael Douglas pattern forming here?), sees Kathleen Turner merely flicking the knife at her antagonist who, unfortunately, blocks it with a plank of wood.

So, which would my professional killer use? And how would he carry it out?

Well, firstly, what kind of professional killer was he? I did not want a character like Richard Kuklinski, who froze his victims to disguise their time of death and even filmed victims being eaten alive. So, after watching timothy Olyphant in HITMAN once or twice (oh alright, maybe it was a lot more), I decided my hitman would be military trained and disciplined in planning his attacks. Explosives, sniper shootings and the odd hand to hand combat would suffice nicely. The places he choose to kill, however, are another blog.

Now it’s your turn. Can you think of a similar outcome where two characters use the same tools but apply different methods?

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When I look back at the first book I wrote, I feel a twinge of guilt for my characters; all five of them to be precise, if I want to be picky and count the minions.

Why do I feel guilty? Because, unforgivably, I neglected to give them a life. I just dumped them on the wintery London streets of Shad Thames and said “Right, off you go and do this.”

To their credit, they did what I asked, but not to the best of their ability, and that is solely down to me, because I did not spend the time in getting to know them. A year ago, I would have sworn different. I would have told you my heroine was an independent woman, owned a bar and lived a relatively normal life with only her handsome neighbour next door for support. The hero, and her love interest, was an actor who was quiet and thoughtful and ……. Oh my God, so boring!!!

Then I met Kristen Lamb. She told me to write a back story for my antagonist, so I did. I proudly wrote four pages and emailed them over to her. Her reply? “Crap, do it again.” I was mortified. How could it be rubbish? (Yeah, ok, you can stop laughing.) But she was right. It was absolute tosh. Oh, how naïve I was back then.

The reason it was rubbish, and it’s so clear now that I cringe every time I think about letting Kristen read it, was this. My first antagonist was a nice, wholesome, little rich girl who went nuts because the guy she liked was in love with someone else. There was no venom about her. She was kind to others, well liked, popular at school – you get the picture. But my reasoning for creating this totally unrealistic girl, who went off the deep end, was because Glenn Close had done it in Fatal Attraction. If a block busting movie could do it, why couldn’t I? The problem was, Glenn Close was not the normal, hard working, successful woman she appeared to be before Michael Douglas slept with her. If you look closely, she was actually a borderline psychotic and her back story would have backed this up with actions, events and certainly haunting issues.

I was guilty of analysing the plot of a story too much and just letting the characters roll along for the ride. Now, however, and much to my husbands annoyance, I analyse and pick holes in everything on TV. Still, men are there for us women to annoy so I think it is a win-win situation. 😀

So, this is what I have been taught, and would strongly recommend to anyone creating a character:

It starts with their creation. They need a look, a height, and a style. Personally, I look for a picture of an actor or actress and go from there. Then give them a home, a childhood, parents, siblings, pets, school proms, jobs, friends, enemies, lovers, fears, stressors.…. you get the picture. What they do with them after that is then up to you. They can use them, annoy them, play with them or kill them. They can go to jail or become President, but their back story must lead them to the moment you start your book. You cannot have, like I did, a nice antagonist who turns in to a crazy, killing machine, because it is convenient to the plot.

If you are stuck, then I would suggest writing your own biography first. Start with where you were born, who your parents were, if you have any siblings. Remember your childhood memories, relationships, good and bad. Jobs you’ve liked and jobs you’ve hated. Gravesides you have stood at. Tragedies you’ve had the misfortune to bear. All these things define who you are now.

Oh, and one really important thing I have learnt is this. Your protagonist does not have to be perfect. Perfect is BORING! Give her a flaw. Make her human. I guarantee your reader will not dislike them for it.

Look at Mel Gibson in the first Lethal Weapon – he was a suicidal drunk. And Frasier, from the TV show of the same name, has serious commitment issues, but do we hate either of these characters? Do we ‘eck. In fact we become more compassionate towards them.

Now, as always, I want to know something. I want to know who your favourite protagonist is and what flaw they have. Hmmmm….. has that got you thinking?

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I want to play a game.

I’m going to say a word and I want to know the first image that comes to mind. Ready?

Sociopath.

What was the first thing you thought of? No cheating. Can I hazard a guess and say you probably thought of a deranged psychopathic killer, probably from one of your favourite horror films?

Now, what if I said you probably already knew a sociopath. Would you believe me? No? Okay, what if I said there was a high probability you may already work with one, live next door to one or even be friends with one. (God forbid you live with one.) Does that scare you?

Academics calculate that sociopaths account for around 5% of the population. So what exactly is a sociopath?

Forget for a moment that you are a nice person and imagine this: You have two friends who, for some unknown reason, have stopped talking to each other. They both confide to you of their sadness at the situation and that each is going to contact the other to make amends. Now, being the nice person you really are, you would eagerly share this information – after all, it’s the morally right thing to do and you want your friends back as, well, friends. But I want you to imagine deceiving and lying to them, convincing them that each is still expressing their dislike for the other. Then I want you to feel very smug and happy in the knowledge that you have singlehandedly kept them from being the good friends they once were.

Are you horrified? Could you ever see yourself acting in this way? Of course not, but that is probably because you have a little thing called a conscious. You cannot act in a bad way because you would feel appalled and guilty. A sociopath does not have this luxury. They feel nothing. They are crafty and deceitful, selfish, and manipulative. They will take what they want and do as they please and not experience the slightest ounce of remorse or regret for any of their actions. They will hurt a ‘friend’ just as easily as they would hurt a stranger and they will do it with a smile on their face and a song in their heart.

A staggering 1 in 20 people are sociopathic which means that 5% of the population lacks any shred of a conscious, and worse still, these people can be very difficult to spot. Contrary to the belief that all sociopaths look like the Yorkshire Ripper, they do in fact, look just like you and me. They will charm you on first introduction and the majority of people will be blinded by their manipulation. But these people are cold. Maybe they are rapists, or domestic abusers. Maybe they are not violet at all but will think nothing of scamming or stealing from you. Unfortunately, the majority of people find out when it’s too late. Sociopaths are excellent at spotting your vulnerability and will use it against you to get what they want, using every trick in the book to succeed. But sociopaths are very jealous people and if you dare disagree or go against one then watch out; they will happily bring down upon you a reign of misery.

The only way to deal with a sociopath is to dissolve all contact and remove them from your life. Do not try to argue with them, or attempt to out smart them. Remember, they are sociopaths and do not ‘feel’ like the other 95% of the population. You have to protect yourself and you are not doing this if your time is consumed with making them pay.

Protect yourself and live your life. As Dr Martha Stout says, “Living well is the best revenge.”

So, now I will ask…..Do you know a sociopath?

For more on this I recommend reading ‘The Sociopath Next Door’ by Clinical psychologist Dr Martha Stout, Ph.D.

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