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Posts Tagged ‘thriller’

Okay, today I have been busy finishing my novel, and now I have to go pack for my holiday. So, I’m passing the reigns.

Now, I won’t tell you how I stumbled upon Peter Koevari’s post, Authors and Piracy, eBooks on the high seas,  – but it was funny.  Anyway, I really liked it and wanted to share it with you guys. So, I illegally downloaded it for publication here. Later on I’ll be touring London, selling it on printed flyers for the small fee of 99p. Just to be clear, the author will be receiving none of this fee…. but Shhhh – don’t tell anyone.

I couldn’t think of a better titled that Peter’s, so I stole that too.

Over to you, Peter.

I am going to tackle what I think is a very important topic for Authors and creative artists. I’m going to talk about Johnny Depp piracy!

It’s a funny thing, piracy (aaaarrrg!), as we live in a world where it is very easy for people to jump onto torrent and release sites and download whatever they want, for free. Most people accept that this is the case and at some point in their lives, have likely done it themselves.

What if we got you as a reader, and a room packed full of people and asked the question, “Raise your hand if you have *never* downloaded absolutely anything illegally or broken copyright laws. Never copied a movie in a VCR, photocopied copyrighted material, bought anything pirated, downloaded an image and used it on a blog from google images, or absolutely anything that can be considered a breach of copyright?”

I would be surprised if any hands went up, and I would be floored if a number of hands went up. Do I endorse it? Absolutely not, but you can’t change the world… you can only adapt.

Lady Gaga was quoted to say that she is happy for people to download her songs, as she makes all of her money from touring anyway. This is not such a case for us as authors, is it?

We don’t “go on tour” to sell out tickets to our shows and make a huge packet, do we?

So, why did I bring this topic up in the first place?

Because I googled my book title with a timeframe of the last week, and discovered that my books have been pirated. Was I happy about it? Of course not, although the attention is flattering.

The funny thing about everyone who pirates is, it doesn’t bother them and they have all sorts of justifications for pirating… and that is all well and good, until it’s *their* work that is being pirated. They don’t slave over manuscripts for many years to write a novel, pay editors, cover artists, work every day to promote their novels. No, they enjoy reading the books that other people produce… just like we all do as readers.

After all, pirates are just regular people, but with a different perspective and values. Do I consider them criminals? No. Do I want to run out there and track down everyone who downloaded my book illegally and persecute them? No.

You may be looking at me in shock and horror, but why on earth would I want to ruin someone’s life over copyright laws, for wanting to read my books?

Let us face the reality about the argument of potential sales: It’s flawed.

I put pirates into a few categories:

A) Pirates who NEVER buy what they download

B) Pirates who download to try without paying, and then go ahead to buy what they really like

C) Pirates who buy what they really like, and pirate what else they can, because they can and they may want to look at it later.

D) Pirates who (for whatever their circumstantial reason) cannot afford to buy the things that they want.

E) Pirates who cannot buy what they want, due to restrictions

The pirates who are in category A, will never pay for our books. Are they a lost sale? No. Are we losing money because they download our books? No. Are they still ripping us off as authors? Yes… but what exactly can we really do to change it?

The best we can hope for is that they tell their friends and families about our books (if they enjoy them) and some of them may want to buy them.

Pirates in category B, will try our books without paying for them first. If they like them, they will probably purchase them… but likely not.

Category C is similar, but the stuff they hoard and download will likely never be seen or read, but will definitely be shared.

Category D is a tough one. I mean, at the end of the day… just because we can’t afford to have something, doesn’t give us a justification to take it without paying because we want it. However, people do what they need to do and although we don’t like it, there are some real reasons why people would like to genuinely buy something, but the way they need to purchase it deems it “not viable”. Does it excuse it? No… but we can understand it. We can hope that those readers do help us as authors by spreading the word about books that they like, and when they get into a position that they can afford it, they support us as authors.

Category E concerns me greatly, and the fact that people can’t buy ebooks over the Internet, due to restrictions is just ridiculous. We should all push for any companies who do that, to change.

Whatever category these pirates are in, it does not matter, they are going to do what they do, regardless of what we try to do about it. People who would buy our ebooks and paperbacks will still do so, even if the availability of our books on pirated channels would make them more accessible for free. Not everyone pirates, and lots of people out there like to support authors and keep them writing.

For any pirates out there that think all eBooks should be free, I would like to ask you… would you go to work from 9-5 for no paycheck at the end of the day? I doubt that you would, but if you are happy to work all your life for no money, then you can stand tall with that argument.

For those Pirates that say that Authors are the real pirates for controlling their work and restricting what you can do with it… I really question that. If you buy my paperback, you can sell it, share it, sleep on it, use it as a paperweight, throw it in the air… I really couldn’t care less what you do with it… but I do hope you share it with your family and friends.

eBooks are usually considerably cheaper than paperback editions, and I have not put DRM on my ebooks (Can’t change the kindle Legends 2 edition when purchased from Amazon, they wouldn’t let me undo it). Although I don’t encourage emailing my book to every man and their dog, I see no reason why you couldn’t share the read in the same manner as a paperback.

As for the analogy of people buying ebooks and that they can’t sell it as they would a car, that is an interesting one. There is no real “second hand market” for digital works. Like second hand video game stores, further sales only profit the people trading in them… not the makers of the game. The same applies with eBooks.

Why would someone want to buy a second hand eBook when they can just buy it online themselves? We’re not talking cars worth huge money, are we?

Writing books is hard work and we work for nothing until we make any sales on our books. I am an indie author, what does that mean? We don’t get fat pay cheques from publishers, and we have to pay our own way and promote our own way for my books to be successful. Unlike movie studios, we don’t make millions or hundreds of millions in sales.

As much as the world is what it is for pirates, it is what it is for authors. We write for you, the reader, to enjoy our stories. If we all stopped writing, there would be no more books to read.

Having said all of this, what disappoints me the most… is that if any of these pirates bothered to come to my site and contact me, asking if I can give them my ebooks for free… I would have offered them an honourable deal of giving them my ebooks in return for an honest review. The act of pirating my ebooks is an unnecessary exercise of breaking copyright laws and using torrents or hosting sites.

I would love for pirates to consider buying my books and sharing them with their friends and families, but it is their choice if they wish to support me as an author, or not.

As a result of all of this, I stand by my words and I have put up a page on this very website that clearly offers review copies of my first book, Legends of Marithia: Prophecies Awakening (Uncut and Extended Second edition) to anyone willing to show some class and honour, and review my books for me on Amazon, Goodreads, etc. No need to break laws or illegally distribute my books!

It shows that you respect me as an author, and I will… in turn, respect you as a reviewer and respect your opinion. I don’t care if someone is a pirate or not, the offer is open to you equally.

If you decide to change your approach and buy my books (before or after you have read them, and however you have obtained them. eBook or paperback), then you have my gratitude for supporting me as an author.

Do you have an opinion on this? Have you had this happen to you? Comment and talk about it.

Follow Peter on twitter @Peterkoevari

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It was just over seven years ago that London won their bid to host the 2012 Olympic Games.

I remember exactly what I was doing when we began our campaign. I was on my honeymoon at the Atlantis Resort in the the Bahamas. I cannot express the joy and hearing the news… or the sorrow the following day when the 7/7 bombs devastated London.

Now, seven years later, London is stronger than ever.

However, our efforts to hold one of the most memorable moments in history haven’t gone without its problems.

It was feared that London traffic would come to a standstill in a bid to get Olympic officials to the venues on time with the introduction of  the ‘Olympic lanes’.

Many tax payers protested at the amount of money being spent on the venues when the current economic climate was already in a state. Then there was the outrageous scenes of blocks of empty venue seats when tickets were impossible to purchase.

Most embarrassing of all? Only a fraction of the security team arriving for work on the first day of the Games.

And then there was this man, Minister Jeremy Hunt – the cherry on the cake…

But, Britain is strong. We will always survive.

And here’s why…

It all started with the torch bearers, cheered on by thousands of supporters who lined the streets come rain or shine as they carried the Olympic flame around the country.

But, our Armed Forces stepped in to secure the venues and the opening ceremony was absolutely breathtaking. Millions around the world watch Kenneth Branagh ‘build’ London. Dancers danced, singers sang, and we even had a little help from Mr Bean.

When it was time for the Her Majesty, Queen Elizabeth to arrive, who better to escort her than James Bond himself.

And Britain went on to have one of their most successful Olympics…EVER!

But it’s not just the British that have made these past two weeks so special. It has been an entire nation.

There have been tears of joy and sorrow. Medals have been won, and medals have been lost. But above all, for two weeks, countries rejoiced together. War and disagreements were buried and put aside. Instead, we supported one and other.

I just hope that spirit can continue.

Did you watch the Olympics? What was your favourite moment? How do you think London did hosting the games? Did you find it hard getting tickets? Did you attend any of the events? Let me know.

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What an amazing weekend I had. On Saturday, Audley End House hosted the Greatest Eighties Concert Ever! And it didn’t disappoint.

What I found funny was the age of the spectators. I mean, they were OLD! Then I realised. So was I. No longer was I that young teenager with her back-combed hair, Madonna style clothes, and white stiletto shoes. Instead, it dawned on me… Heck, I’m middle-aged.

When did that happen? I haven’t turned grey… or not that my hair dye won’t cover-up. I don’t have many wrinkles that L’Oreal eye cream can’t cope with. My bum hasn’t sagged that much… has it?

So, I thought it would be fun to do a ‘Then and Now’ blog.

Right, I’ll be brave and start with me.

   
                                Me, back in the 80’s                        … and, me now

Notice the hair and the shoulder pads? The only good thing about the first picture is that the car is KITT from Knight Rider.

So, back to Saturday night.

Recognise this singer? This is Nik Kershaw way back in the eighties.

Here he is some twenty years later playing one of his most famous songs.

How about this man?

The gorgeous Rick Astley. Remember that wiggle dance. Oh boy, did I love this guy back then. Actually, I still love him now. Here’s why…

Here are some more…

Anthony Michael Hall, that guy from the Breakfast Club and Weird Science.

  

Teen heartthrob, Emilio Estevez, from St. Elmo’s Fire.

   

How about Star Wars hero, Mark Hamill.

   

We all remember the beautiful Kelly McGillis.

   

What about the people we love now?

Take the sexy Mark Harmon from NCIS fame.

   

And ever wondered if the hunky Paul Walker was really always that cute?

   

Ahh, wasn’t he just adorable!

So, which childhood crush or hero do you think has changed the most with age?… For the better, and (cough cough) for the worse. Shannon Doherty is doing okay, and so is Demi Moore for that matter. Who do you think hasn’t aged at all?

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Someone over on my WanaTribe recently asked what the difference was between Who’s and Whose, so I thought I’d dedicate today’s post to all those common and annoying little grammar mistakes that spell-check isn’t so good at spotting.

Like with all my posts, I like to make these explanations as simple a possible without resorting to the use of crayons and picture books, which I regularly use 🙂

So, without further ado, lets start with the one that brought us here…

Who’s vs Whose:

Who’s is an abbreviate and used in place of ‘who is’, or ‘who has’.  Example – Who’s going to the party? Who’s this? It would also work at Who is going to the party? and Who is this?

Whose is the possessive of who.  Example – Whose book is this? Whose side are you on?

Basically, if ‘who is or who has’ does not fit the sentence, then use ‘whose’.

Who vs Whom:

Who, like I, he, or she, is a subject and is the person performing the action. Example – This is who gave it to me.  Is Paul the one who wants to know?

Whom, like me, him, and her, is an object. It is the person to whom the action is being done. Example – To whom do I send this letter? This is the man whom I told you about.

Basically, who and whom is the same difference as I and me. Try re-writing the sentence and change who or whom with another pronoun. So,

This is who gave it to me — He/she gave it to me – OR –  Him/her gave it to me? She how he/she sounds correct, so ‘who’ would be used.
This is the man whom I told you about. — I told you about him/her – OR – I told you about she/he. In this instance him/her is correct so whom would be used.
To whom do I send this letter? – Do I send this letter to he/she? – OR – Do I send this letter to him/her? Again, the latter him/her is correct and whom is used.

Which vs That:

That is used in a restrictive sentence. Example – “Cars that are red are more sexy”. You are restricting the sentence by saying that only red cars are sexy.

Which is used in a non-restrictive sentence. Example – The red cars, which went on sale yesterday, are now half price. If you omitted which went on sale yesterday it wouldn’t actually change what you want to say, which is that red cars are now half price.

All Right vs Alright:

According to the Oxford English Dictionary, alright is a frequent spelling of all right. Now, although the dictionary lists the word ‘alright’, you be hard pushed to find somewhere that agrees with the spelling ‘alright’.

What should you do? Although the ‘alright’ usage is growing, it’s probably best to stick to ‘all right’.

Like vs Such As:

Like is used when you are comparing. For example – Can you take me somewhere nice like Paris or Rome? Here, the person is not asking to go to Paris or Rome, but somewhere like it.

Such As is used when you are including. For example – Can you take me somewhere nice such as Paris or Rome? Now they are making it clear they want to go to either Paris or Rome.

One vs You:

Using either one or you is classed as grammatically correct.

One, however, is often used when one is being more formal. It gives the impression of a higher standing. For example – One has to conduct oneself in a certain manner. However, you would not use ‘one’ when you are the object. For example – The maid lay the blanket over one’s lap, and one thanked her. This just sounds awkward.

You is much more relaxed. For example – You have to conduct yourself in a certain manner. See how the same sentence holds a different weight? It’s not as formal. Basically, using you is more acceptable in the world today.

So, what version of words do you get stuck with? What are your pet hates. Let me know…. Don’t be shy 🙂

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Oh dear, oh dear, oh dear.

TV quiz shows have always been big business for those who want to win some quick cash, a holiday, or a badly made crystal decanter set (remember back to the shows in the 70’s and 80’s?)

Most contestants are people like you and me. Good common sense, can find the UK on a map, and know that oranges grow on trees.

But then, somewhere from the depths of the Amazon jungle, TV producers dig up people who give answers like these…

 

Q: What kind of dozen is 13?

A: Half a dozen.

Q: Who was the Prime Minister before Tony Blair?

A: George Bush.

Q: Of all Beatrix Potter’s books, which is the only one to feature a human in the title?

A: Peter Rabbit.

Q: Who painted the ceiling of the Sistine Chapel?

A: Leonardo Di Caprio.

Q: Johnny Weissmuller died on this day. Which jungle-swinging character, clad only in a loincloth, did he play?

A: Jesus

Q: How long did the Six Day War between Egypt and Israel last?

A: (long pause) 14 days.

Q: What happened in Dallas on November 22, 1963?

A: I don’t know, I wasn’t watching it then.

Some of these contestants can’t even ‘get’ the answer with the presenter helping them a little, or in most cases, a hell of a lot:

Presenter: What is another name for “cherrypickers” and “cheesemongers”?

Contestant: Homosexuals.

Presenter: No. They’re regiments in the British Army who will be very upset with you.

 

Presenter: What’s 11 squared?

Contestant: I don’t know.

Presenter: I’ll give you a clue. It’s two ones with a two in the middle.

Contestant: Is it five?

Answer: 121

 

Presenter: On which street did Sherlock Holmes live?

Contestant: Er…

Presenter: He makes bread.

Contestant: Er…

Presenter: He makes cakes.

Contestant: Kipling Street?

Answer: Baker Street

 

Presenter: Where is Cambridge University?

Contestant: Geography isn’t my strong point

Presenter: There’s a clue in the title

Contestant: Leicester?

Answer: Cambridge

 

Presenter: What ‘K’ could be described as the Islamic Bible?

Contestant: Er…

Presenter: It’s got two sylla-bles… Kor…

Contestant: Blimey?

Presenter: Ha ha ha, no. The past participle of run…

Contestant: Silence

Presenter: Okay, try it another way. Today I run, yesterday I…

Contestant: Walked?

Answers: Koran & ran

 

Then, there are the presenters that just give up, knowing their contestant is a lost cause:

 

Presenter: What religion was Guy Fawkes?

Contestant: Jewish.

Presenter: That’s close enough.

Answer: Roman Catholic

 

…. And lastly, there is this person…

 

 

So, what is the best Q and A combo you’ve every heard?

 

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As you’ll see, I haven’t used a picture at the top of this blog. I’m actually thinking about going through ALL my posts and deleting/changing any photos that aren’t mine.

Why?

I read a post today about copyright and photographs via the wonderful, Roni Loren… And it was scary! According to Roni’s recent, and horrifying experience, Fair Use doesn’t seem to exist. It doesn’t matter….

  • if you link back to the source and list the photographer’s name
  • if the picture is not full-sized (only thumbnail size is okay)
  • if you did it innocently
  • if your site is non-commercial and you made no money from the use of the photo
  • if you didn’t claim the photo was yours
  • if you’ve added commentary in addition to having the pic in the post
  • if the picture is embedded and not saved on your server
  • if you have a disclaimer on your site.
  • if you immediately take down a pic if someone sends you a DMCA notice (you do have to take it down, but it doesn’t absolve you.)

It really made me think, and I commented so.

My question?

If you are looking for an image to use for your blog, as many of us do, and type, say, “desert” into Google images – you are likely to find that same image, only from different websites. How are you supposed to know who it originated or belongs too?

I deleted my Pinterest account a long time ago when rumours of lawsuits began washing over the internet. Some photos I use on my blog and Facebook (especially my banners), are my own personal pictures that I have ‘shot’ myself. I would not expect anyone, after a year on the internet, to know they originated from me.

So, what about you? Have you used Google images to find photos? Would you sue someone for using one of your personal pictures? Have you ever been asked to remove a photograph? Or, have you had your own lawsuit to fight?

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In May, I wrote a post  giving you guys two pictures and asked you to write me a scary short story… and you guys didn’t disappoint.

Last week, you read Nigel Blackwell‘s brilliant story, Eye of Death. This week, we have Ewelina Rymsza with ‘Unreality’.

UNREALITY

My bare feet tapped on the cold cement out of a blinding excitement. Root had found this place, slobbered over with a thick, white fog, but alive with unending riches. My hands pounded on the old bench, and I wished he’d come sooner. After the End, our ancestors emerged from stone walls into a field of desolation. Places like these were less than rumors, more untrue than myths. The monuments here towered and crumbled with their epitaphs weeping over earth-hair.
“Root,” I murmured now heatedly but still quiet, “Root, would you get over here? I’m cold!”
Nothing.
I finally got up and decided he would steal what he found anyway. I was told brothers are supposed to lie and cheat, but I never understood it.
I walked slowly into the earth-hair. I’d never walked in it before, and it felt strange beneath my feet. I could feel some between my toes. It wasn’t hard like the cement I was used to; but it was chilling, too, and numbing even moreso.
“Root.” I had to be quiet. We were stealing artifacts. Root said he saw this place in a dream, and that’s how we could find it. He told me all of the artifacts would be underground, and I agreed to going despite not believing him at first.
“You shouldn’t be here, little girl!”
I heard a voice cut the fog, chiseling away the air like a saw. The music to it was jarring but undaunted. A disfigured darkness formed ahead of me.
“You shouldn’t be here, little girl. You shouldn’t be here. You shouldn’t be here.” And on that last word, it became to scream. I saw its knees buckle, and the belt of its body collapse. It kept screaming: “You shouldn’t be here. You shouldn’t. You shouldn’t.”
Chills shot into my veins and burst and kept bursting, and I felt compelled to weep but stood my ground to this anonymous shadow. It stopped abruptly and climbed the fog back up. It beckoned me closer then with its four gnarled hands. I shook the fear from its earlier plead and followed deeper into the white, changing sea.
The image became fainter and fainter, and I ran to catch it. My legs sprung in a furious dance while I hurdled over monuments and rocks. The curiosity in my bones grew its own marrow, birthed a life more invincible than mine. No fear any longer. No fear.
The shadow then stopped and vanished. I knelt into the earth-hair, and I began to cry. Where had the shadow gone? Root hadn’t even crossed my mind until then, and I mustered up the strength to wander in search. The fog thickened as if to mock my venture, and I lost myself further in this foreign place.
   You shouldn’t be here kept seeping more deeply into my thoughts, and I again began to feel the fear burdening my gut. You shouldn’t be here. You shouldn’t be here.
I called for Root again but walked onto a ribbon of unbroken tar instead. I was used to crushed tar, tar with alien growth between its cracks. This was smooth and paved. And then I saw me.
I saw myself curled into knots; and although I saw only my back, the clothing was mine. The hair was mine. The way she cried was my own. I stumbled back slightly with my eyes almost instantly tearing up.
“You shouldn’t be here,” she screamed in a voice unfamiliar to me. But it was me. It was me. I was sure.
I walked very gently towards her, and her sobbing started more strongly now.
“It’s okay,” I whispered, attempting to console what was a strange kind of ghost it seemed. A whisper of myself. I knelt down a foot beside her to give her room. That’s what I would’ve wanted. But instead, she snapped over to me, and I screamed.
What I knew as plants were growing from our insides, spun branches that hung out of us like desperate, dying trees.
   “You shouldn’t be here. You shouldn’t be here. You shouldn’t be here.”
And in that moment, we became one: Watching with the same knolls and our stomach swallowed by “trees.” We retched the same and bled the same, and I knew this was not my dream. This was not my dream. I shouldn’t have been here.

THE END

Next week, I’ll post another one.

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Upcoming classes:

21st July: From Idea To Story

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You’ve been itching to begin writing, and are so nearly there. But, what is a story without characters? Not a very good one, I can tell you in an instant.

Now, you could be forgiven if you believe a good idea is all that’s needed to write a successful novel. After all, you may be writing an action story. What do you need character’s for? Aren’t they just well toned guys flexing their muscles while shooting up the place? Well, without believable and interesting characters, you’ll have nothing but a lifeless story. Although, if muscles are you’re thing, you may not care if there’s not story 🙂

Okay. For those that aren’t quite sure, I’ll quickly explain the difference between a plot driven story and a character driven story.

Character vs Plot

Plot Driven Story: Usually action-based. The action is what’s classed as driving the story forward. For example, Transporter, Star Wars, Jurassic Park.

Character Driven Story: Character based. The characters drive the story forward. For instance, Rocky, Cast Away, It’s a Wonderful Life.

Now, you may be a little confused. After all, the Rocky films have a lot of action in them. Well, if you look at the original ‘Rocky’ film, the story is about a fighter and his struggle to become a world-class boxer. That is character-driven.

Why do we need to know our characters?

Imagine Jane Austen’s ‘Pride and Prejudice’. I think we can all relax in the comfort of knowing this is a character-driven love story. But, if Austen hadn’t ‘known’ Mr Darcy inside out when writing him, would we, as love-struck, female fans, still be romancing over him today?

We like and love him (some even dream of him), because we feel we know him. And that is what makes a good character. Someone your reader can identify with and relate to.

So, how do we get character’s like this?

First, you need to create them.

Antagonists, Protagonists, and Supporting Cast (aka Minions)

NOTE: Let me just make this little snippet clear. The antagonist doesn’t necessarily have to be a person. The antagonist is whatever hampers the protagonist (hero) from reaching his or her goal. 

However, as this post is about creating characters, our antagonist is going to be human.

So, where do I start?

Always with the antagonist, aka the baddie. They are the reason you have a story. Without one, your protagonist will easily reach their goal – leaving you with a dreary story and no plot.

First you have to decide the kind of character you want to create and make sure they get the correct label. A what? A Label. I made a mistake with the first story I wrote. My antag was a hitman who worked for the mob. But, as it was pointed out to me, the Mob Boss was the real antag. He was the guy giving the orders for the hit. Without him, my hitman would have been out of work. Thus, although my hitman was the main baddie, he was in fact a Minion. Confused? Good. Then, I wasn’t alone 🙂

To explain this a little better, I am going to use a well-know subject.

Jason Bourne. Girls love him and boys want to be him.

In the Bourne films, Jason is a killer. A hitman. Does that make him the antag? No. He is the hero. And this is because he’s trying to reach a goal, which is to remember who the hell he is.

Although it’s a variety of assassins who try to kill Bourne, it’s a CIA group called ‘Treadstone’ who initially orders the hits. This makes ‘Treadstone’ the antagonist. The assassins are mere minions.

And let’s not forget Marie, Jason’s love interest and the girl who helps him attain his goal.

Creating Your Characters

If I were to ask you to tell me about yourself, where would you start?

Five years ago? Ten? How about from the moment you were born?

That is where I want you to start with your characters… From the moment they were born. Write down who their parents were. What kind of upbringing did they have. Create family and loved ones they may have lost along the way. This exercise will run into pages if you do it right. It will round your

characters’ journey and define how they got to be the person in your story. Their likes and dislikes. Their flaws.

Use props – for instance, do they have a limp, or a squint? If so, how did they get it? Remember, Indiana Jones had a fear of snakes. We found out through a (long) flash back in the third film because he fell into a circus snake pit. Makes you wonder if George Lucas had already written it into his background, doesn’t it?

Research your character. If they attended boarding school. Research it. If they were in the army. Research it.

Basically, you are writing a biography. It has to be accurate.

Giving a Character Qualities and Flaws

If you are like me, they you would have rooted for Jason Bourne. Why? Because we liked him. But why would we feel like this? Remember, Jason Bourne is a killer. Does that now make us a hitman loving sociopath?

No. It means the writer has done their job. You want your audience to love your protagonist and cheer them on every inch of the way. If you make your characters too nice, your reader will tire of them and become bored. Likewise, if you make your characters hard-nosed and arrogant. They become unlikable because your readers cannot get close enough to start caring.

Jason Bourne is a man on a mission. He is a killer. And yet every now and then, a slither of emotion escapes and we see a man who cares about right and wrong. That is a character quality. He cares about the well-being of Marie, and this shows Jason’s softer side. Again, another quality, if not also a flaw. His ability to kill so easily, although it constantly saves his life, is a flaw. Having to suppress emotion in order to survive is a flaw. And flaws are what make us human. It’s these flaws that allow your readers to relate to your characters.

Steer clear of stereotypes. Make your character unique. A skin head with pink spiked hair and wearing Doc Martins is stereo-typical. Give him a unique quality that makes him stand out from the rest of the skin heads.

I’ll tell you a quick story I know my co-writer, Natalie Duggan, won’t mind. When I first paired up with Natalie to write the TV pilot ‘Legend’, I mentioned character backgrounds. Natalie thought I was nuts and that it was all a waste of time. She wanted to get to the story. So, I banged my head against the desk, argued until I was blue in the face, then just went ahead and wrote out the backgrounds anyway. I emailed them across and Natalie loved them. Her exact words? “Oh, wow. These are awesome. I really feel I know Roman and Nate (two of the MC’s).” Natalie now writes backgrounds on ALL her characters.  🙂

Okay, that should be enough to start you off.

So, do you create characters before you begin writing? What kind of techniques do you use when creating your characters? Do you make your characters too perfect? Are you plot-driven or character-driven?

If you want more of me, try checking out FacebookTwitterGoogle+GoodreadsKloutBranchOut and Linkedin

Upcoming classes: via Webinar, where we can interact and you ask questions.

14th July: Getting To Know Your Characters

21st July: From Idea To Story

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In May, I wrote a post  giving you guys two pictures and asked you to write me a scary short story.

Well, you didn’t disappoint. I’ve picked out the ones I liked and without further ado, (and in no particular order), I give you the first one by brilliant writer, Nigel Blackwell.

The Eye of Death

I watched her walk in the mist, up the hill from the pub, light steps, tight clothes, curves that screamed for testosterone’s attention, and her whole body lithe with life. If fair was fair in this world, it would have been a life that were mine, because well I knew her, but life ain’t fair.

It was the hook that did it. One minute I was watching it swing, maneuvering giant buckets for it to collect, ducking as it came by, covering my ears as it crashed into the lifting ring, and watching as it vaulted a ton of scrap metal high into the air, as easy as birds lift worms, winching it away to smelt in the furnace in that place of fire and iron and darkness, a place where men spoke in grunts and spit.

It weren’t a place for girls, especially ones with long, coal dark hair and skin paler than lime, not ones with skirts black, all tighter than tight and shorter than short on legs that were longer than long. No, it weren’t a place for them, but she were there. Radiant, dazzling, and winking at me. And I winked back. I took me eye off the hook, I did, an’ the hook took me eye off o’ me.

It swung back, lazy and smooth. Right into my eye. A hundred pounds of iron, twisted to a point and cast, fishing for my eye, its tip squeezing easy through the jelly, spearing my skull, stabbing out the back, cracking open my eye socket, sweeping me backwards, upwards, hanging me by me skull. I grabbed and pulled and yanked at the chain, lifting myself by pathetic inches from that godless scythe. I balled my lungs, ripping at my throat, near tearing out my voice box.

The hook arced me down, back to where I had stood; only not standing but legs thrashing crazy, hands clenching the hook, and concrete unmoving. My left foot snapped clean off, my right leg speared straight up, bones ripping soft organs, tearing open my lungs, leaving me wet rasps or nothing. My flesh and bones were tossed to the furnace’s pig iron river. I were naught bar a flame and a flash, and gone, but they buried me proper. Not there were much left to put in the ground.

That were then, see, and now’s now, and now she were not in that place, she were in mine, my yard, my graveyard.

Through she walked, crashing the gate, kicking the gravel, singing loud. Bad singing. The tonelessness of alcohol and pub songs half remembered. But that were good, not the singing of course, I ain’t stupid, but the alcohol, that were good. Good for her.

She staggered to the stones that ringed the yard and passed for a wall. Over she went, legs in the air and tight skirt tightening before she took pity on the heartbeats of men unseen, an’ smoothed it back into place.

Her heels sank in the cloying grass and suckling ground. Her head picked up, hearing the noise, same as I heard, a roaring of exhaust and a crashing of gears, a lorry straining up the hill. Not just any lorry, the big one from old Sawbuck’s yard, the one for towing, towing with a hook, a heavy hook. He was late from a job, like always. He’d be fast, like always. He’d have one headlight out, like always. And he’d turn at the corner of my yard, turn by the lane to her home.

She made it to the road, her singing forgotten and her arms out to keep from falling. The tarmac was firm to her heel and she swept across its glistening blackness, its white line, its potent danger, and over to the other side.

Sawbuck’s headlight clawed up the hill, close now, splashing left and right, drunk like she. It took a bend with a squeal of tire, the old man pushing to get home, just like she.

Her arms went out again and her toes poked forward, testing her shoes and her weight and her balance on the mud of her lane beyond the road.

The roaring came upon us, tarmac shining in myopic light, and glittering cats-eyes welcoming weary travelers. And her eyes glittered, too. Her skin reveled in fifty watts of headlight, her arms waving to keep herself upright. She lifted one foot to step back, away from the road, away from the thundering lorry, away from its danger.

It weren’t right and it weren’t fair, and neither were I, so I winked. Six feet of moldy flesh and bones, and a single eye for a single wink.

Her eyes bulged, her lips puckered round, and her cheeks lost their muscle. Her arms dangled, and her one leg kept still in the air. I held her rapt, like she’d held me.

The exhaust thundered and the wheels squealed. The single light swept past, taking the corner, marking the path of its curvature the tangent to its momentum.

But momentum weren’t for the hook. It swung free, slashing wide, snapping its wire taught, whipping back, following Sarbuck’s homeward and ignorant dash.

She weren’t ignorant, though, she saw it all, the swinging, the snapping, and the whipping. She felt its pain, too. The blunt hammer of sixty mile an hour iron crushing her ribs, folding her in two, lifting her up, spinning her careless. She felt the wait of moments before the smooth tarmac rose up to meet her, wrenching her head back, snapping her neck, splashing her limp on the ground.

And the light were away, with Sawbuck on home.

I waited for her to spread upon the road, and she to bid adieu to warm blood. Perhaps they would bury her near me, the same yard and within a yard, perchance.

It weren’t fair, but I ain’t a man of fair, because I ain’t a man, I’m dead.

And all’s fair in the eye of death.

THE END

Next week, I’ll post another one.

If you want more of me, try checking out FacebookTwitterGoogle+GoodreadsKloutBranchOut and Linkedin

Upcoming classes:

14th July: Getting To Know Your Characters

21st July: From Idea To Story

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No matter what age you are, everyone is doing it.

Er,… texting, that is.

So, yesterday it was brought to my attention that us ‘oldies’ have our own text chat abbreviations.

None of this ‘LOL laughing out loud’, or BRB ‘be right back’ rubbish. Ours is more sophisticated.

So, without further ado, I give you:

TEXT CHAT FOR THE OLDIES

ATD – At The doctors

BFF – Best Friends Funeral

BTW – Bring The Wheelchair

FWIW – Forget Where I Was

GGPBL – Gotta Go, Pacemaker Battery Low

GHA – Got Heartburn Again

HGBM – Had Good Bowel Movement

IMHO – Is My Hearing Aid On?

WAITT – Who Am I Talking To?

GGLKI – Gotta Go, Laxatives Kicking In

IPMSA – I’ve Pissed Myself Again.

So, now it’s your turn. Have I missed any out?

If you want more of me, try checking out FacebookTwitterGoogle+GoodreadsKlout, BranchOut and Linkedin

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